Released by electronic pioneers Tangerine Dream to coincide with the recent live performances at the Melbourne Town Hall in Australia on November 16th 2014, `Mala Kunia' is the first studio work to feature a new line-up for the project…
"Paul Carrack returns with a brand new studio album and is ready to reach new heights with 'These Days.' It's Paul's 17th album , a run that began way back in 1980, but which has been building real, independent momentum since he formed his own Carrack-UK label in 2000 with the landmark 'Satisfy My Soul' release.
Love Stories is an orchestral album, revealing Elias’ mastery and preeminence as a multifaceted artist – a vocalist, pianist, arranger, composer, lyricist and producer. Sung almost entirely in English, the album features three original compositions plus seven superb arrangements of pieces from bossa nova’s golden age, including songs made famous by Frank Sinatra and Antonio Carlos Jobim.
In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music.
As a songwriter and performer, Willie Nelson played a vital role in post-rock & roll country music. Although he didn't become a star until the mid-'70s, Nelson spent the '60s writing songs that became hits for stars like Ray Price ("Night Life"), Patsy Cline ("Crazy"), Faron Young ("Hello Walls"), and Billy Walker ("Funny How Time Slips Away"), as well as releasing a series of records on Liberty and RCA that earned him a small but devoted cult following.