Virginia Biano Mathis

"I'm Coming Home" is an album by American pop singer Johnny Mathis that was released on September 21, 1973, by Columbia Records and was mainly composed of material written by the songwriting team of its producer, Thom Bell, and Linda Creed. Unlike several of the Mathis albums before it, I'm Coming Home relied primarily on new songs and included only two covers of established chart hits, both of which were by The Stylistics ("I'm Stone in Love with You" and "Stop Look and Listen to Your Heart"). The album made its first appearance on Billboard magazine's Top LP's & Tapes chart in the issue dated November 17, 1973, and remained there for 22 weeks, peaking at #115. It also began an 11-week run on the UK album chart on March 8, 1975, during which time it made it to #18. On July 1, 1975, the British Phonographic Industry awarded the album with Silver certification for sales of 60,000 units.

Mathis Picard releases The Royal Room (Live in Seattle), which captures the final night of the tour for his critically acclaimed 2023 LP Heat of the Moment. Spiritual, playful, joyous, The Royal Room drives home why Mathis is a must-see live act.

"The Christmas Music of Johnny Mathis: A Personal Collection" contains 14 highlights culled from the many holiday albums Johnny Mathis recorded for Columbia records over the years. Even though the collection spans several decades, it's remarkably consistent because Mathis' style stayed essentially the same, no matter what the current fads may have been. Also, the collection is strong simply because the compilers have selected many great performances, including "Have Yourself a Merry Little Christmas," "It's Beginning to Look a Lot Like Christmas," "It's the Most Wonderful Time of the Year," "Silver Bells" and "Sleigh Ride." It comes close to being the definitive Mathis Christmas compilation, even if it's not necessarily the definitive Mathis Christmas album.

"I Love My Lady" is an album by American pop singer Johnny Mathis that was completed in 1981 but not released in its entirety until December 8, 2017, when it was included in the box set "The Voice of Romance: The Columbia Original Album Collection". It was written and produced by Chic founders Bernard Edwards and Nile Rodgers and represented an attempt at shifting away from the easy listening style of music that Mathis had been recording for 25 years to the more contemporary sound of the team behind "Le Freak" and "We Are Family". As part of Record Store Day on April 21, 2018, Legacy Recordings gave I Love My Lady its standalone debut with a pressing on clear smoke vinyl.

Real Gone Music and Second Disc Records continue their ongoing celebration of Johnny Mathis’ legendary catalog with a new expanded two-for-one CD and this one’s even more packed with signature Mathis songs than usual! 1976’s "I Only Have Eyes for You" and 1977’s "Hold Me, Thrill Me, Kiss Me" both reunited Mathis with a pair of his favorite collaborators, producer Jack Gold and arranger Gene Page, for silky renditions of the day’s pop smashes as only Mathis could deliver them. Page brought the same style of lush orchestration he perfected with Barry White to these sets featuring songs by the top songwriters of the day including Neil Sedaka (“The Hungry Years”), Alan O’Day (“Do Me Wrong, But Do Me”), Stephen Sondheim (“Send in the Clowns”), Marvin Hamlisch (“One”), and the team of Michael Masserand Gerry Goffin (“Do You Know Where You’re Going To,” “I Always Knew I Had It in Me”).

In a career spanning over 60 years, Johnny Mathis has always had an unerring ear for a song witness his new, 2017 album featuring his recordings of future standards by Adele, Bruno Mars, and Pharrell Williams. At the dawn of the 1970s, Mathis was celebrating the great songwriters of that day, too, with a double album entitled Johnny Mathis Sings the Music of Bacharach and Kaempfert.

"Christmas Eve with Johnny Mathis" is the fourth Christmas album by American pop singer Johnny Mathis that was released on September 23, 1986, by Columbia Records. This was Mathis's fourth holiday-themed LP and focused exclusively on secular material. The album spent a week on Billboard magazine's Christmas Albums chart in the issue dated December 12, 1992, (no such chart was published in 1986) and two weeks on its Top Pop Catalog Albums chart in December 1994.