Viva! Tat Ming Pair

The 2013 re-release features new keyboard arrangements and was completely remixed and remastered by David Castillo, as the band wasn't satisfied with the overall sound and production of the original release.
The Swedish kings of gloom and doom return with perhaps their mst balanced outing yet. Two years after Discouraged Ones marked a turn from the dark metallic mayhem of earlier records uch as Dance of December Souls and Brave Murder Day, it was 2000's Tonight's Decision and 2001's Last Fair Deal Gone Down that carved out the uniqueness in their sound. Here are equal parts dark gothic pop, crushing heavy rock, textured keyboards, lithe pop melodies, beautifully crafted songs with unique dynamics and sculpted sonic environments to surround them, and bleak, even morose subject matter…

Fresh and funky, female and Japanese, the trip-hop/rap duo Cibo Matto has been the recipient of a lot of hype. Fortunately, it's well-founded; all trendiness aside, Viva! La Woman is an innovative and catchy mix of eclectic samples and stream-of-consciousness lyrics. The likes of Paul Weller, Ennio Morricone, and Duke Ellington combine with observations like "My weight is three hundred pounds/My favorite is beef jerky" (from "Beef Jerky") and "Shut up and eat! You know my love is sweet!" from ("Birthday Cake") in a fun and refreshing way. The tone of the album varies with each song; on tracks like "Sugar Water" and "Artichoke," Cibo Matto plays it spooky and ethereal, while "Birthday Cake" and the single "Know Your Chicken" find them as a couple of cryptic Beastie Girls, tossing off wacky non sequiturs over found soundscapes. Cibo Matto cooks up a tasty appetizer of their talent with Viva! La Woman. Like their tongue-in-cheek cover of "The Candy Man," Cibo Matto makes everything they bake satisfying and delicious. A diverse and entertaining album, Viva! La Woman leaves the listener hungry for more of their crazy food for thought.

Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1967 and 1968 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

La Dusseldorf's Viva crystallized Klaus Dinger's progressive rock vision into a symphony of swirling guitars, rich keyboard melodies and driving percussive beats. The magnum opus "Cha, Cha 2000," will forever stand as one of the all-time anthems of futurist rock & roll.

Following the breakup of the Smiths, Morrissey needed to prove that he was a viable artist without Johnny Marr, and Viva Hate fulfilled that goal with grace. Working with producer Stephen Street and guitarist Vini Reilly (of the Durutti Column), Morrissey doesn't drastically depart from the sound of Strangeways, Here We Come, offering a selection of 12 jangling guitar pop sounds. One major concession is the presence of synthesizers – which is ironic, considering the Smiths' adamant opposition to keyboards – but neither the sound, nor Morrissey's wit, is diluted. And while the music is occasionally pedestrian, Morrissey compensates with a superb batch of lyrics, ranging from his conventional despair ("Little Man, What Now?," "I Don't Mind If You Forget Me") to the savage political tirade of "Margaret on a Guillotine." Nevertheless, the two masterstrokes on the album – the gorgeous "Everyday Is Like Sunday" and the infectious "Suedehead" – were previously singles, and both are on the compilation Bona Drag.

Kaori Muraji, a star in her native Japan, performs some of the world’s best-loved guitar music by Rodrigo in this new recording. Muraji formed a close friendship with the composer, who predicted she would become “THE twenty-first-century interpreter” of his music. Their mutual admiration enabled Muraji to deepen the special affinity she felt towards Rodrigo’s music.

Def Leppard dove into the classic-albums-in-their-entirety trend via an 11-date residency at the Hard Rock in Las Vegas, performing 1987's Hysteria from start to finish, adding other classic hits to round out the set. More interestingly, taking a tip from Joe Elliott's Mott the Hoople tribute side project the Down 'n' Outz, Def Leppard opened for themselves, performing as Ded Flatbird and running through rarities and early hits that they have rarely played live in the years since becoming superstars. These Vegas gigs were filmed for a limited-edition theatrical release called Viva Hysteria, which quickly appeared on Blu-ray and DVD, along with a double-CD soundtrack capturing the highlights…