Viva Sparklehorse

The German-French composer Mark Andre (b.1964) is one of the most important representatives of New Music. His twelve "Miniatures" for string quartet were composed in 2014/17 as a commission from the Arditti Quartet, Bavarian Radio's "musica viva", the Festival d'Automne à Paris and the ProQuartet-CEMC, funded by the Ernst von Siemens Music Foundation. Andre created his organ work "Himmelfahrt" (Ascension), funded by the Siemens Music Foundation, in 2018 on behalf of the Evangelical Church in Germany. The orchestral work woher…wohin was written between 2015 and 2017 as a composition commission by BR's "musica viva" in conjunction with the Happy New Ears prize for composition from the Hans and Gertrud Zender Foundation. The live recordings of all three works are now being released in the CD edition of Bavarian Radio's "musica viva" concert series on BR-KLASSIK.

Def Leppard dove into the classic-albums-in-their-entirety trend via an 11-date residency at the Hard Rock in Las Vegas, performing 1987's Hysteria from start to finish, adding other classic hits to round out the set. More interestingly, taking a tip from Joe Elliott's Mott the Hoople tribute side project the Down 'n' Outz, Def Leppard opened for themselves, performing as Ded Flatbird and running through rarities and early hits that they have rarely played live in the years since becoming superstars…

When Coldplay sampled Kraftwerk on their third album, X&Y, it was a signifier for the British band, telegraphing their classicist good taste while signaling how they prefer the eternally hip to the truly adventurous; it was stylish window dressing for soft arena rock. Hiring Brian Eno to produce the bulk of their fourth album, Viva la Vida, is another matter entirely. Eno pushes them, not necessarily to experiment but rather to focus and refine, to not leave their comfort zone but to find some tremulous discomfort within it. In his hands, this most staid of bands looks to shake things up, albeit politely, but such good manners are so inherent to Coldplay's DNA that they remain courteous even when they experiment…

Over the years, El Chicano has often been compared to Santana and, to be sure, there are a lot of parallels. Both are from California, both are led by Mexican-Americans, both have recorded in English as well as Spanish, and both have favored a very eclectic and unpredictable mixture of rock, soul, funk, jazz, blues, and Afro-Cuban salsa.
After creating a buzz in East L.A. in the late '60s, El Chicano signed with MCA in 1970 and recorded its debut album, Viva Tirado. The instrumental title song, which was written by jazz pianist Gerald Wilson, was released as a single and became El Chicano's biggest hit; the recording reached number 28 on Billboard's pop singles chart and number 20 on its R&B singles chart. On regional L.A. charts, "Viva Tirado" spent about 12 weeks at number one…

”Viva Last Blues” is an album by Palace Music, featuring Will Oldham on vocals and guitar. The album was recorded by Steve Albini and was released in 1995 on Drag City. The album was listed as #60 on Pitchfork Media's "Top 100 Albums of the 1990s".

La Dusseldorf's Viva crystallized Klaus Dinger's progressive rock vision into a symphony of swirling guitars, rich keyboard melodies and driving percussive beats. The magnum opus "Cha, Cha 2000," will forever stand as one of the all-time anthems of futurist rock & roll.