Vol. 78 Steely

China Crisis main men Gary Daly and Eddie Lundon were great songwriters searching for that one song that would make a difference. "Working with Fire and Steel" was that song. Although they had hits before, and they would have hits after, no other song defined China Crisis' essence more. With its percolating beat, Daly's hiccupping vocals, and a smashing chorus, it was the perfect modern pop song. With that said, there was also so much more to China Crisis than that one song. This, their sophomore album, features songs cut from the same cloth as "…Fire and Steel," including "Animals in Jungles" and "Hanna Hanna," but also reveals a band with deeper meaning and ambitious ideas.

This is a highly distinctive album in the mountain of Vivaldi CDs. The works come from a manuscript in the library of the Paris Conservatory that is thought to have been originally presented to a French nobleman. It is thought that only two of the concertos were new, while the other 10 were chosen from those Vivaldi had on hand. Whatever the truth of this, this set of concertos represents a highly winning, perhaps more subtle aspect of Vivaldi's style than one usually comes in contact with.

One album to their name and already they’re releasing a live album? That’s right – Parcels, aka Australia’s coolest quintet and Daft Punk’s protégé’s, released their debut album just a year and a half ago. This new release features over an hour of music recorded live on tape in the legendary Hansa Studios in Berlin, where some of the greatest musicians have recorded albums, including David Bowie (Low and Heroes), Iggy Pop (Lust For Life), U2 (Achtung Baby), the Pixies (Bossanova) and all the albums from Nick Cave and the Bad Seeds whilst they were based in Berlin.

China Crisis underwent a complete change in sound for their third album, completely ditching the heavy dub rhythms and challenging arrangements of 1982's Difficult Shapes & Passive Rhythms, Some People Think It's Fun to Entertain and 1983's Working with Fire and Steel (Possible Pop Songs, Vol. 2) with an altogether smoother and less aggressive sound. That doesn't equal a commercial capitulation, however; if anything, the choice of Walter Becker (of the then-unfashionable Steely Dan) as producer was a more commercially daring maneuver than anything the group had previously attempted.