Change, or at least an evolution of the Halsall sound, is very much in the air on this wonderful new record. Credited to Halsall and the Gondwana Orchestra there is a feeling of expansion of the musical palette, further steps on a satisfying journey towards the destination identified on 2012's transitional Fletcher Moss Park. That earlier record showed the way that Halsall was looking to evolve and shift his musical path—it began with pieces recorded in 2010 around the time of the Gilles Peterson Worldwide award winning On the Go, took in a couple of piano and bass-less tracks from a more experimental July 2011 session and ended up with a couple of tracks recorded in April 2012 by something broadly resembling the line-up for When the World Was One.
Suzi Quatro is a performer as famous for her image as her music; Quatro was rock & roll's prototypical Bad Girl, the woman in the leather jumpsuit with the enormous bass guitar (well, it looked enormous, given that Quatro is only five feet tall), looking sexy but ferocious as she banged out her glam rock hits in her '70s glory days. Quatro is a woman who titled one of her albums Your Mamma Won't Like Me for a reason. But there's more to Suzi Quatro than all that, and she seems determined to show off the full range of her 50-year career in music on the box set The Girl from Detroit City. Quatro is a rocker but she's also a showbiz lifer, and the music spread over these four discs is the work of someone up to do a little bit of everything, and along with Chapman/Chinn thunderboomers like "Can the Can," "49 Crash," and "Daytona Demon," you also get vintage garage rock (three numbers from Quatro's first band, the Pleasure Seekers, including the gloriously snotty "What a Way to Die"), easygoing pop numbers like "Stumblin' In" (her hit duet with Chris Norman of Smokie)…
Until it was swept aside by the pop explosion of the 1960s, jazz was the most popular modern sound on earth. From the New World and the Caribbean to Africa, across the Soviet Bloc and the British Empire to the Far East, jazz music was embraced, adopted, played and enjoyed.
Cardboard sleeve reissue. Features SHM-CD format and new remastering. This album marks the first release of a live performance by Soft Machine's "Bundles" lineup, featuring a young Allan Holdsworth on guitar. The concert was originally recorded in January of 1975, and consists primarily of the Bundles album material (which was already recorded, but still unreleased at the time). Chocked full of magical moments, this CD contains over 78 minutes of incredible music.