W.a.s.p. W.a.s.p. (1984) [1998, Japanese Vicp 60149]

Double Live Assassins is a live album by the American heavy metal group W.A.S.P.. It was recorded live during their K.F.D. Double Live Assassins, the 9th release by W.A.S.P., is everything a live album was meant to be. Powerful, sleazy, sweaty, and exciting, this is truly a live album that was meant to be played loud. Recorded in Switzerland, Chicago, Cleveland, and Los Angeles during W.A.S.P.'s 1997 Kill Fuck Die tour, Double Live Assassins captures all the excitement and electricity that is a W.A.S.P. concert.

Dying for the World is the tenth album by W.A.S.P., released in 2002. Dying For The World was Blackie Lawless' dedication to all those who perished in the attacks of the 9/11 events, especially heard on the 'Hallowed Ground' track.

Unholy Terror is the ninth studio album by W.A.S.P., released in 2001. It is viewed by many fans and critics alike as an 'issue' album, going into great detail about the world and all its vices.

W.A.S.P.'s aging shock rockers reveal a little of their version of nostalgia on this album, but it's doubtful you'll get teary-eyed. Helldorado is an attempt to recapture the attitude and rawness that this cheesiest of metal bands started from in the 1980s, back to the period of their original demo tapes. Against a firestorm of basic three-chord metal, frontman Blackie Lawless continues to spit out bits of larynx as he muses on the eternal verities, from Saturday-night cockfights to faceless blowjobs ("Don't Cry (Just Suck)") and snorting coke. Framing the package is a series of goth-swathed broodings on self-destruction and hell that sound tame when shorn of the sicko theatricality of W.A.S.P.'s live stage shows. Certainly the return of guitarist Chris Holmes to the nest has livened up the spirits of the band, though. Sometimes there's even a change of key between songs. You won't be drowning out too many arty details by cranking this one up, especially Lawless's anthemic "Dirty Balls."

K.F.D. (Kill Fuck Die) was the seventh studio album by American heavy metal band W.A.S.P., released by Castle Records in 1997. It differs from their previous releases by incorporating an industrial and more aggressive sound. Guitarist Chris Holmes rejoined the band for this album in a surprise move. According to lead singer Blackie Lawless, Holmes and he had just come out of bad relationships and this is reflected on the album. According to Lawless the record was also inspired by the film Apocalypse Now.

Still Not Black Enough is the sixth studio album by W.A.S.P., first released in June 1995 in Japan only. It was not released in the U.S. until August 1996 through Castle Records. Still Not Black Enough was originally slated for release as a Blackie Lawless solo album, but due to the heavy content, Lawless changed his mind and decided to release it as a W.A.S.P. album. This had also been the case for the previous album, The Crimson Idol.

Blackie Lawless launched W.A.S.P. on the unsuspecting world in 1983 and before long tales of their outrageous music and intense stage shows were legendary. The 15 tracks featured on The Best Of The Best prove that while the theatrics and shock tactics of Blackie Lawless might have gained the headlines, it was what W.A.S.P. did on record that gained them legions of fans.

The Neon God: Part 1 - The Rise, is the first of a two-part conceptual album by W.A.S.P. about an abused and orphaned boy named Jesse, who finds that he has the ability to read and manipulate people. The second album is titled The Neon God: Part 2 - The Demise.

The Neon God: Part 2 - The Demise, is the twelfth studio album by W.A.S.P. about an abused and orphaned boy named Jesse, who finds that he has the ability to read and manipulate people. The first album is titled The Neon God: Part 1 - The Rise.

First Blood… Last Cuts is the first compilation album by the American heavy metal band W.A.S.P.. Released in 1993, it was the first time the song, "Animal (Fuck Like a Beast)", previously only released as a single in 1984, was released on an album. The album also included two new songs, "Sunset and Babylon" and "Rock and Roll to Death". "Rock and Roll to Death" was later released on Still Not Black Enough, with "Sunset and Babylon" remaining exclusive to this CD, while others songs were re-mixed for the album.