Waling Dead S10

The Grateful Dead Movie Soundtrack is a five-CD live album by the rock band the Grateful Dead. It was recorded on October 16–20, 1974, and was released on March 15, 2005. The album was remixed from the original 16-track concert soundboard tapes.

The entire original KSAN, KQRS, WEBN, KSFX, WNEW & KADI FM Broadcasts Covering performances from Seven Incredible 1971 shows at The Fillmore West, Northtrop Auditorium, Taft Auditorium, Harding Theater, Felt Forum, Fox Theater and Winterland.

Curated by frontman Pete Burns and drummer/keyboard player Steve Coy, the set comprises eight albums, three of which (Fan The Flame (Part 1), Nukleopatra and Fragile) receive their UK debut release via this set (with new cover art).The first four albums issued in the 1980s all feature here as two-CD sets, except 1985’s Stock Aitken Waterman produced Youthquake (which spawned the mega-hit You Spin Me Round (Like A Record) – which is a three-disc package. So this box delivers the original album track listings for each long-player, plus plenty of rarities, live recordings, alternate mixes and instrumental versions. In fact, it also contains 12 previously unreleased remixes and tracks from the band’s vaults. 1987 greatest hits album Rip It Up is also present and correct (as a two-CD set).

A limited edition 23 CD box set release of eight Grateful Dead shows from March and April 1990.

“For the Grateful Dead's second live album, released two years after its predecessor LIVE/DEAD, the band delivered an equally magnificent, but entirely different, Grateful Dead sound. Whereas LIVE/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL & ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (‘Johnny B. Goode,’ ‘Not Fade Away’), showing off their authentic Bakersfield bona fides (‘Me & My Uncle,’ ‘Mama Tried,’ ‘Me & Bobby McGee’), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (‘Bertha,’ ‘Playing In The Band,’ ‘Wharf Rat’).

Dead Set is the seventh live album (eighteenth overall) by the Grateful Dead. It was released in August 1981 on Arista. The album contains live material recorded between September and October 1980 at the Warfield Theatre in San Francisco and Radio City Music Hall in New York. Original CD pressings omitted the track "Space" so the entire album could fit on one CD. However, "Space" was included when the album was later rereleased as part of the 2004 Beyond Description box set, as well as on one CD in 2006. The 2006 release also included a bonus CD of live material.

Dead Meadow's unique marriage of Sabbath riffs, dreamy layers of guitar-fuzz bliss, and singer Jason Simon's high-pitched melodic croon have won over psychedelic pop/rock and stoner rock fans alike, while elements of folk and pop would creep into their formula over time. Although the band's members met while attending all-ages shows in and around Washington, D.C.'s punk/indie scene, the trio draws more of its sound from such classic rock legends as Pink Floyd and Black Sabbath. The trio formed in the fall of 1998 out of the ashes of local indie rock bands the Impossible 5 and Coulour, with singer/guitarist Simon, bassist Steve Kille, and drummer Mark Laughlin. The three members set out to fuse their love of early-'70s hard rock and '60s psychedelia with their love of fantasy and horror writers J.R.R. Tolkien and H.P. Lovecraft. Collection includes: "Dead Meadow" (2000); "Howls From The Hills" (2001); "Got Live If You Want It!" (2002); "Shivering King And Others" (2003); "Feathers" (2005); "Old Growth" (2008); "Three Kings" (2010); "Warble Womb" (2013).

We're easin' on into the last Dave's Picks of the 2022 series with the complete show from AUTZEN STADIUM, UNIVERSITY OF OREGON, EUGENE, OREGON, 6/23/90 and you're going to need your sunglasses because the forecast for this one is bright. Doors were at noon with Little Feat opening (fun fact: Little Feat's Lowell George produced SHAKEDOWN STREET) and the Grateful Dead taking the stage at 2pm to deliver what is surely one of their longest performances and what can most certainly be classified as an upper-echelon late-Brent era show.