Walking Kuniyuki Takahashi

For all of the acclaim it received, there's no denying that No Quarter was a tentative reunion for Page & Plant, containing only a handful of new songs that were scattered among many reworked old favorites. Since its supporting tour went well, the duo decided to make their reunion permanent, setting to work on an album of entirely new material…

Walking on Sunshine is the second studio album by Guyanese-British musician Eddy Grant, originally released in 1978 by Ice Records. Recorded at Grant's Stamford Hill recording studio, the album was the follow-up to his solo debut Message Man (1977) and fuses styles of Caribbean music like reggae, soca and calypso with other genres, including funk and pop. The musician played most of the album's instrumentation himself, and described the record as reflecting his joyousness. However, some songs feature tough cultural themes, particularly those on the first side.

Brooklyn Rider thrives in the realm of world music and folk traditions, yet they’ve always sought to tie this impulse into their considerable classical chops—all while at the same time cultivating the ensemble as a kind of composer collective led by violinist/composer Colin Jacobsen (b. 1978). In this case, Bartók’s Second String Quartet is the glue that holds this new album together, with that work’s blend of folk sources defining the album’s musical core. The Bartók is flanked by two new compositions by present day composer-performers that further burnish Brooklyn Rider’s reputation for hip collaborations that shed light on our relationship to our roots.

WALKING ON A DREAM is the debut studio album by Australian electronic music duo Empire of the Sun, released on 3 October 2008 by Capitol Records. The album was produced by band members Luke Steele and Nick Littlemore, along with Peter Mayes and Donnie Sloan. A special edition of the album, containing a bonus disc of remixes, B-sides, and unreleased tracks, was released on 20 November 2009.

A walking bass line is the most common approach to jazz bass playing, but it is also used in rock music, blues, rockabilly, R&B, gospel, Latin, country and many other types of music. The term walking is used to describe the moving feeling that quarter notes create in the bass part. The specific goal of this book is to familiarize players with the techniques used to build walking bass lines and to make them aware of how the process works. Through the use of 90-minutes worth of recorded rhythm tracks, players will have the opportunity to put the new learning directly into action. This book literally gives bassists the tools they need to build their own walking bass lines.