Waiting For The Land: The Story Line of The Pentateuch

It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.

The Collected Works of the Roches includes samples from a handful of the Roches' albums, not every single song in their oeuvre. But perhaps Collected Works sounded better than "Greatest Hits" – since there weren't any – or "Best of the Roches." No matter. The Collected Works of the Roches is jammed full of the kind of fun, quirky, and pretty songs one expects from Suzzy, Terre, and Maggie Roche. Early songs like "Hammond Song," "Mr. Sellack," and "The Married Men" show off the sisters' lovely harmony while retaining room for individual idiosyncrasies. And while this mixture of the ethereal and the peculiar only caused a small splash in the big pond in 1979, it did ripple out to other vocal folk groups in the '80s. As the Roches moved into the '80s, they continued to grow, first electrifying their arrangements on Nurds in 1980, and then by tackling demanding pieces like "The Hallelujah Chorus." The bigger arrangements, however, begin to seem like a detriment by 1985's Another World. One gets the impression that the gals were trying to compete with the Manhattan Transfer, and one longs for the simpler folk sound of their earlier material. The Collected Works nonetheless offers an engaging portrait of three sisters from their roots at Folk City in the '70s to their artistic maturity in the '90s.

This guide book to mathematics contains in handbook form the fundamental working knowledge of mathematics which is needed as an everyday guide for working scientists and engineers, as well as for students. Easy to understand, and convenient to use, this guide book gives concisely the information necessary to evaluate most problems which occur in concrete applications. For the 4th edition, the concept of the book has been completely re-arranged. The new emphasis is on those fields of mathematics that became more important for the formulation and modeling of technical and natural processes, namely Numerical Mathematics, Probability Theory and Statistics, as well as Information Processing.

The Stylistics After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. During the early '70s, the band had 12 straight Top Ten hits, including "You Are Everything," "Betcha by Golly, Wow," "I'm Stone in Love With You," "Break Up to Make Up," and "You Make Me Feel Brand New." Of all their peers, the Stylistics were one of the smoothest and sweetest soul groups of their era. All of their hits were ballads, graced by the soaring falsetto of Russell Thompkins, Jr. and the lush yet graceful productions of Bell, which helped make the Stylistics one of the most successful soul groups of the first half of the '70s.

Rhythm Of Life is a four song CD3 (3 inch CD) released by Ubiquity Records. A sampler for the label, it highlights some of the material they were releasing at the time.

The Stylistics After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. During the early '70s, the band had 12 straight Top Ten hits, including "You Are Everything," "Betcha by Golly, Wow," "I'm Stone in Love With You," "Break Up to Make Up," and "You Make Me Feel Brand New." Of all their peers, the Stylistics were one of the smoothest and sweetest soul groups of their era. All of their hits were ballads, graced by the soaring falsetto of Russell Thompkins, Jr. and the lush yet graceful productions of Bell, which helped make the Stylistics one of the most successful soul groups of the first half of the '70s.

The Stylistics After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. During the early '70s, the band had 12 straight Top Ten hits, including "You Are Everything," "Betcha by Golly, Wow," "I'm Stone in Love With You," "Break Up to Make Up," and "You Make Me Feel Brand New." Of all their peers, the Stylistics were one of the smoothest and sweetest soul groups of their era. All of their hits were ballads, graced by the soaring falsetto of Russell Thompkins, Jr. and the lush yet graceful productions of Bell, which helped make the Stylistics one of the most successful soul groups of the first half of the '70s.