Walter Coppedge

It is no exaggeration to call Little Walter the Jimi Hendrix of the electric harp: he redefined what the instrument was and what it could do, pushing the instrument so far into the future that his music still sounds modern decades after it was recorded. Little Walter wasn't the first musician to amplify the harmonica but he arguably was the first to make the harp sound electric, twisting twitching, vibrant runs out of his instrument; nearly stealing the show from Muddy Waters on his earliest Chess recordings; and so impressing Leonard Chess that he made Muddy keep Walter as his harpist even after Waters broke up his band. Chess also made Walter into his studio's house harpist and started to release Little Walter solo records with the instrumental "Juke" in 1952. "Juke" became a smash hit and turned Little Walter into a star, making him a steady presence on the '50s R&B charts.

Walter Washington became a local legend in the black clubs of New Orleans in the '70s and '80s and worked his way up to national status with a series of well-received albums and appearances. His recording affiliations have likewise moved from local to national independent to major label. An innovative guitarist and fine singer who has also done some excellent work with vocalist Johnny Adams, Washington does not perform in the classic New Orleans R&B mold but incorporates soul, funk, jazz, and blues with fluency and power.Washington was born and raised in New Orleans, where he performed in his mother's church choir as a child……