Waste Takezo

Saint Vitus had successfully returned in 2003 after an 8 year absence, touring around the world, but had yet to release any new material until, finally, after a 17 year gap, the band released Lillie: F-65. Named after a drug, the record is as doomy and dark as Saint Vitus can get. A great return to the music scene, each song on the record is heavier, more pessimist and bleaker than the previous, making this a must have for 2012.

Super deluxe 40th Anniversary edition of the classic album by Ian Dury & The Blockheads. Contains 180gm magnolia colored vinyl LP pressing of the original album plus two CDs and DVD containg all of the singles, b-sides, demos, videos, and live concert recorded in 1979. Choose your own front cover out of the 34 original sleeves designed by the legendary graphic artist Barney Bubbles…

Robert Finley's Black Bayou takes listeners on a journey through the haunting, mystical landscapes of Louisiana while sharing deeply personal stories. From the slow-burning funk of "What Goes Around (Comes Around)" to the upbeat and groovy "Sneakin' Around," each track on this album showcases Finley's exceptional tone and vocal versatility. Produced by Dan Auerbach, every note on this album is a testament to Finley's musical prowess and his unwavering commitment to soul, R/B and the blues.

Though Status Quo is best known for fast and undistinguished boogie rock, they were quite capable of subtlety when it suited them. Despite the name, most of the music on Piledriver is varied and subtle enough to be interesting. The power boogie is indeed there, as represented by crowd-pleasers like "Don't Waste My Time" and "Paper Plane," but so also are quieter, softer pieces with acoustic textures and progressive structures. The melancholy "A Year" is a standout track, a stark, melancholy song about carrying on after a loved one has died.

After 25 years, constant traveling, nine albums, and various solo projects, Saffire are calling it quits with one last tour and Havin' the Last Word, a collection of new tunes, covers of favorites, and songs that define their dissolution. It sounds as though it's a happy-sad decision, gratified for all the success and love accrued from their fans, but pleased for future blues via other partnerships and collaborations that can now be achieved individually. Though all will pursue solo careers – Ann Rabson is already firmly established – it is this magical and timeless combination of spirit, focused same-page concept, and great musicianship that has served Saffire very well far beyond most bands. This final effort showcases individual vocal tracks, as if the group members are already preparing for going out on their own, as there's very little group harmonizing. Individual efforts notwithstanding, the group still convenes musically on common ground, especially when Rabson plays piano, Gaye Adegbalola jams on the slide guitar or harmonica, and Andra Faye offers her musings on fiddle, mandolin, or upright bass.