Violinist, composer, and Grammy Award-winning sound engineer, Simon Goff, has teamed up with acclaimed, multi-platinum-selling singer-songwriter, Katie Melua, and announced their forthcoming collaborative album, "Aerial Objects".
Fierce Kate Bush fans who are expecting revelation in Aerial, her first new work since The Red Shoes in 1993, will no doubt scour lyrics, instrumental trills, and interludes until they find them. For everyone else, those who purchased much of Bush's earlier catalog because of its depth, quality, and vision, Aerial will sound exactly like what it is, a new Kate Bush record: full of her obsessions, lushly romantic paeans to things mundane and cosmic, and her ability to add dimension and transfer emotion though song. The set is spread over two discs. The first, A Sea of Honey, is a collection of songs, arranged for everything from full-on rock band to solo piano. The second, A Sky of Honey, is a conceptual suite. It was produced by Bush with engineering and mixing by longtime collaborator Del Palmer.
A Crossworlds is a mixture of sounds not yet witnessed by followers of Dub Fx or Convoy Un.Ltd. Featuring 17 new tracks all produced, mixed and mastered by Dub Fx and Sirius.
In 1997, singer & songwriter Steve Newman formed the band Newman and since 1998 has been producing consistently high quality albums filled with hook laden songs and thought provoking lyrics and released 10 studio albums and one best of compilation up to today. The previous release, "The Elegance Machine", was released in 2015 and the band returned to the road with shows in Europe and their first UK headline tour. Steve Newman continued to write throughout 2016, songs, of which some have featured on various artists releases, and some which are still to come. It was within this writing process that Newman started to piece together the ideas which would become his latest release…
Poised as it is, as the first official release in Glacial Movements’ "Wurm" series, Oophoi offer up a glistening, expansive ambient workout, not unlike several of the multitude of ambient artists operating at the turn of the noughties. Oophoi summarise their work as an “airy drone with minimal variations”, actively attempting to side step some of the pitfalls and cliches attached to any sonic interpretation of cold and icy landscapes, and in doing so, manage to summon up some of the energy reminiscent of the early era of ambient music.