The presence of John Coltrane on this 1958 Savoy release is its obvious drawing card, but in fact there are impressive contributions from all hands. Leader Wilbur Harden left the jazz scene by the early '60s, which is a pity. He was a player with fresh ideas and an engaging command of his trumpet's and flügelhorn's middle register. The sextet heard on this date performs two Harden compositions and one by the group's trombonist, Curtis Fuller, for a skimpy total running time of 29 minutes. The "way out" reference in the title is misleading. There are traces of exotic Asian and African influences, but they never overpower what is essentially an intelligent, straight-ahead, hard bop date. At the time of this release, Coltrane had been recording as a leader and sideman for Prestige and was on his second tour of duty with Miles Davis, whose group was on the verge of recording Kind of Blue…
2021 has been an incredible year so far for Jessie Ware. ‘What’s Your Pleasure?’ re-entered the Top 10 following a brilliant Graham Norton performance of ‘Remember Where You Are’ which has proved itself to be one of Jessie’s most connective singles to date. In addition, Jessie has two BRITs nominations, one for Female Solo artist and one for Album Of The Year – the category with a historic four women up for the award.
This formerly obscure quartet set by tenor-saxophonist Johnny Griffin (reissued on CD in the OJC series) features the fiery soloist on five little-known originals written by Chicagoans plus a burning version of "Cherokee." Virtually all of Griffin's recordings are worth getting and, with the assistance of pianist Kenny Drew, bassist Wilbur Ware and drummer Philly Joe Jones, the tenor is in superior form for this spirited date.
“What if a woman wrote the song?” This question drives a recital of songs by female composers performed by soprano Golda Schultz and pianist Jonathan Ware. Opening with works by Clara Schumann and Emilie Mayer (including her setting of the ballad Erlkönig ), this recital weaves stories of women’s experience with fantastic tales of powerful sirens like the Lorelei . The great American-British violist and composer Rebecca Clarke’s arresting William Blake settings offer a woman’s perspective on texts also set by Benjamin Britten. Devotional works from Nadia Boulanger reveal a compositional master in her own right, in addition to her legendary status as pedagogue to innumerable greats including Aaron Copland and Daniel Barenboim. This be Her Verse , a song cycle by poet-librettist Lila Palmer and composer Kathleen Tagg was directly commissioned by the artists to conclude the programme and add an important contribution to the repertory: Songs written by women, about women, highlighting the female experience.
“What if a woman wrote the song?” This question drives a recital of songs by female composers performed by soprano Golda Schultz and pianist Jonathan Ware. Opening with works by Clara Schumann and Emilie Mayer (including her setting of the ballad Erlkönig ), this recital weaves stories of women’s experience with fantastic tales of powerful sirens like the Lorelei . The great American-British violist and composer Rebecca Clarke’s arresting William Blake settings offer a woman’s perspective on texts also set by Benjamin Britten. Devotional works from Nadia Boulanger reveal a compositional master in her own right, in addition to her legendary status as pedagogue to innumerable greats including Aaron Copland and Daniel Barenboim. This be Her Verse , a song cycle by poet-librettist Lila Palmer and composer Kathleen Tagg was directly commissioned by the artists to conclude the programme and add an important contribution to the repertory: Songs written by women, about women, highlighting the female experience.
With so many decades in the rear-view mirror since the Marshall Tucker Band became a part of the classic rock canon, it's easy to forget that they were once a raw, rough-and-tumble bunch of Southern rock upstarts sporting edge and expertise in equal amounts. This archival live document, finally unearthed 27 years after its recording, captures the band in its earliest, most unvarnished phase, playing at San Francisco's legendary Winterland just months after the release of its debut album…