We'll Be Together Again is a 1994 album by Lena Horne. At the 1995 Grammy Awards, Horne was nominated for a Grammy for Best Jazz Vocal Performance for this album. Lena Horne is nine years older than the 70-something Tony Bennett, and like him has lost a good bit of power and tone from her voice. Unlike Bennett, though, she doesn't try to bull her way through her vocal limits on We'll Be Together Again; she stays within those limits and fashions a striking testament to the subtleties of romance and friendship in one's autumnal years. Billy Strayhorn was one of Horne's very best off-stage friends, and seven of the 16 tracks here were written by Strayhorn and/or his partner Duke Ellington. Three more songs–"My Buddy," "Old Friend" and the title tune–are heartfelt remembrances of those once dearest to Horne and now gone–Strayhorn, her ex-husband, her son, her hairdresser and her wardrobe mistress.
One of the best trombone players in the Latin-jazz community of the 1990s, Juan Pablo Torres provided a crucial role in recordings by Paquito D'Rivera, Charles Azvanour and Gilberto Santa Rosa. In addition, the Cuban recorded at least two dozen.
It was confusing enough that Willis Jackson, with Jack McDuff as sidekick, recorded first an album titled Together Again!, and then a different album with the similar title Together Again, Again. Combining both of these on a single-CD reissue, and titling the whole caboodle Together Again!, is downright pitiless. But to preface appraisal of the music with a gotta-make-this-clear explanation, this 2003 reissue, though titled Together Again!, is not the same as the original album Together Again!, though it contains every track from that LP. Instead, it collects every track from Together Again! and Together Again, Again, though not presented in their original running orders. Rather, the 13 tracks are sequenced in the chronological order in which they were recorded, from May 1959 to December 1961…
Features 24 bit remastering and comes with a mini-description. A famous set of crossover fusion – one with lots of heavy drums from Alphonse Mouzon, and plenty of sweet guitar from Larry Coryell! This set definitely plays to the rockish side of the fusion crowd, but still has some funky undercurrents too – thanks to lots of bold lines from Cobham, who could easily sit on both sides of the fence at this point in his career! The rest of the group is equally tight, too – and includes the great John Lee on bass, who really keeps things deep, plus Philip Catherine on additional guitar, sometimes acoustic. Mouzon sings on the cut "Reconciliation", but all others are instrumental.