We're All Together Again

Recorded in 1962, this album comes from the heart of what I believe was Basie's most productive period. There are many noteworthy names among the sidemen, including Thad Jones on trumpet, Grover Mitchell on trombone, Sonny Payne on drums, and my favorite Basie sax section: Marshal Royal and Frank Wess on alto, Eric Dixon and Frank Foster on tenor, and Charlie Fowlkes on baritone. All of the tunes were composed and arranged by Neal Hefti, who also wrote the original liner notes (reproduced in miniature on the inside cover). ~ Amazon

Josienne Clarke & Ben Walker should have been on cloud nine after the release of their exquisite 2016 album Overnight. It was the pair’s first for Rough Trade after self-releasing their previous albums and the reviews were nothing short of glowing. And yet things didn’t pan out quite how they’d hoped. Overnight sold only modestly and, wondering if they might not get a second chance with Rough Trade, Clarke and Walker were pitched into a period of soul-searching. Were all the sacrifices and disappointments and emotional turmoil really worth it in order to pursue their dream?

2-on-1 set that brings the albums All Over You and All Over You… Too together in one package.
All Over You (1996). Whenever "classic rock" bands choose to re-record new versions of their old hits, the results are infamously less than favorable. Indeed, Caravan purists and other such enthusiasts may find it necessary to re-evaluate All Over You - as well as its companion release All Over You…Too - within their own standards. This single disc features a few acoustic-based reworkings, as well as some otherwise overhauled renditions of some of Caravan's most enduring standards. The remastered version - issued in 2000 on the Castle label - also contains two additional recordings. The tracks on this release basically fall into two categories. The first consists of new performances featuring the original arrangements…

The 1989 album “Guasasa” is the last studio album for the Fania Six, the Fania All Stars offshoot created in 1976 by Columbia Records for marketing purposes. It features their rhythm section comprised of: Johnny Pacheco, Ray Barretto, Bobby Valentín, Roberto Roena, Nicky Marrero and virtuoso pianist Papo Lucca. Clearly intended as a Latin jazz set, this album actually bears a more dance-oriented style (as in instrumental salsa, so to speak) as opposed to this band’s earlier, bolder California Jam date. While the former date was actually a real jam session, here they work with formal charts, calculated solo spots and a less-relaxed ambience that actually belies the laid-back feel of the album.