We Can't Go Home Again

The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.

A series of "Super Hits Collection" is a gift edition of popular music. In each CD 20 best songs of world-famous performers. Have a nice listening!

The S1 Sessions is the brand new Solo album from Peter Cox. The fourth album of his solo career 'The S1 Sessions' sees Peter Cox doing what he does best: challenging himself by turning his attention to a very different genre of music and at the same time creating a sumptuous album full of his incredible vocals that fans and music lovers alike will love.

The unreleased material has many entries, an example, such as a demo, take and rehearsal recorded 1960-1969. Some records were not published in the official album and bootlegs.

Ray Charles - The Complete Country & Western Recordings 1959-1986 {4CD Box Set Rhino R2 75328 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.80 Gb | MP3 @320 -> 704 Mb
Full Artwork @ 300 dpi (jpg) -> 44 Mb | 5% repair rar
© 1959-86, 1998 Rhino | R2 75328
Jazz / Country Soul / Jazz Blues / R'n'B / Soul

Ray Charles' explorations into country music were no mere dalliance. They have their genesis in "I'm Movin' On," the last record he made for Atlantic before moving on to ABC Paramount in 1960. But it was with the enormously successful Modern Sounds in Country & Western series of albums in 1962 (and the career making single "I Can't Stop Lovin' You") that made their mark, crossing over genre boundaries that were unthinkable at the time. An African-American doing hillbilly music was not a first, nor were uptown arrangements of hillbilly songs, but here was the Genius of Soul validating the music of the white working class, plain and simple.

When 2020 began, Michael Lington was eagerly looking forward to many wonderful events - the impending birth of his son Landon, touring again with his fellow saxophone stars Vincent Ingala and Paul Taylor as Sax to the Max, and numerous European solo dates. Then COVID-19 hit, and the resulting lockdown scrambled everything. Prevented from hitting the road, Lington quickly turned his home studio into one of contemporary jazzs premiere virtual performance destinations, with a popular ongoing series of weekly shows on the StageIt platform.