Weather Report The Columbia Albums

2007 five CD set, a great installment in Sony/BMG's Original Album Classics series that brings together rare and out of print titles with some best sellers from the Sony/BMG Jazz catalog. Many of these albums have been unavailable on CD for some time and are sought after by collectors. Each set is presented in a high quality, rigid cardboard slipcase containing five 'vinyl replica' mini LP sleeves. This collection from the guitar great features the albums Bad Benson, The George Benson Cookbook, It's Uptown, Body Talk and Beyond The Blue Horizon.

Five CD box set containing a quintet of their albums housed together in an attractive slipcase: Chicago Transit Authority (1969), Chicago II (1970), Chicago V (1972), Chicago VI (1973) and Chicago VII (1974). While Chicago are oft remembered as a Pop/Rock hit making machine, their musical roots were Jazz-oriented and this quintet of albums features the band blending their commercial sensibilities with their excellent Jazz/Rock musicianship

Any discussion of the Top 100 '90s Rock Albums will have to include some grunge, and this one is no different. A defining element of that decade, the genre (and the bands that rose to fame playing it) was given credit for revitalizing rock at a badly needed moment. That said, there's far more to the story. Our list of the Top 100 '90s Rock Albums, presented in chronological order, takes in the rich diversity of the period.

While the Norwegian jazz scene has been pursuing its own course for decades, the period of 1996-1997 represented a significant watershed, a milestone where an entirely new kind of music emerged, linked to jazz but distanced considerably—some might say completely, but they'd be mistaken—from its roots in the American tradition. Three seminal and groundbreaking albums were released within a year of each other: trumpeter Nils Petter Molvær's Khmer (ECM, 1997); noise improv group Supersilent's 1- 3 (Rune Grammofon, 1997); and, beating the others by a year, keyboardist Bugge Wesseltoft's aptly titled New Conception of Jazz (Jazzland, 1996). All three explored the integration of electronics, disparate cultural references, programming, turntables and—especially in the case of Supersilent, the most avant-garde of the three— noise, to create aural landscapes that were innovative, otherworldly and refreshingly new.

One of the most admired guitarists of the early 21st century, Jack White helped restore the popularity of punk-blues as the frontman of the White Stripes. Meanwhile, he widened his reach by participating in a range of other projects, including the Raconteurs, the Cold Mountain soundtrack, Loretta Lynn's comeback vehicle Van Lear Rose, the Dead Weather, and a solo career. Although White's nasal voice and loose, fiery guitar delivery were mainstays of the White Stripes' early work, the group branched out as its reputation grew, building upon an initially minimalist sound with elements of metal, backwoods country, pop, and early rock & roll. White followed a similar evolution in his own career, and by the time the White Stripes celebrated the tenth anniversary of their debut album, the frontman had already issued two pop-oriented records with the Raconteurs, starred in several films, collaborated with Electric Six, duetted with Alicia Keys, and produced records for a number of artists.

Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD Set, eOne EOM-CD-2104, Miles Davis related}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 665 Mb | MP3 @320 -> 274 Mb
Full Artwork @ 600 dpi (png) -> 380 Mb | 5% repair rar
© 2011 eOne Music | EOM-CD-2104
Jazz / Latin / Modern Creative / Fusion / Flamenco

Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.

Tony Bennett's latter-day albums tend to have themes, and this one has two, as indicated by its double-barreled title: It is both a duets album and a blues album. The duet partners include ten singers who range from his recent touring partners Diana Krall and k.d. lang to fellow veterans Ray Charles, B.B. King, and Kay Starr, and younger, but still mature pop stars Stevie Wonder, Bonnie Raitt, and Billy Joel. All sound happy to be sharing a mic with Bennett. Not surprisingly, the singer's conception of the blues does not extend to the Mississippi Delta or the South Side of Chicago; rather, he is interested in the blues as filtered through the sound of the Swing Era, particularly from around Kansas City, and as interpreted by Tin Pan Alley and show tunes…