Wedding Luts Fixthephoto

Ukrainian violinist Bohdan Luts unveils his debut album in collaboration with the Odense Symphony Orchestra, recorded after winning first prize in the violin category of the Carl Nielsen International Competition in 2022 at just 17 years old. The new album features Antonin Dvorak's Concerto for Violin and Orchestra in A minor, Carl Nielsen's Op.2 Romance, and Max Bruch's Scottish Fantasy-a collection of late romantic works that prominently showcase the violin. For his first major recording, Luts has chosen three works which feature wonderfully lyrical writing for his instrument, combined with passionate virtuosity.

Ukrainian violinist Bohdan Luts unveils his debut album in collaboration with the Odense Symphony Orchestra, recorded after winning first prize in the violin category of the Carl Nielsen International Competition in 2022 at just 17 years old. The new album features Antonin Dvorak's Concerto for Violin and Orchestra in A minor, Carl Nielsen's Op.2 Romance, and Max Bruch's Scottish Fantasy-a collection of late romantic works that prominently showcase the violin. For his first major recording, Luts has chosen three works which feature wonderfully lyrical writing for his instrument, combined with passionate virtuosity.

The Wedding Present have been unanimously despised by the British music press following a brief honeymoon period in the mid-'80s. When they announced their desire to issue a single a month for a whole year, one particularly caustic Melody Maker journalist pointed out that she now had two low spots in her monthly cycle to endure. It must also be said that RCA were not too enamored of the projected release schedule when David Gedge first put his idea to them. For many, though – including discerning onlookers like long-standing friend and supporter John Peel – The Wedding Present's single-a-month blitz in 1992 was one of the highlights of that year. The band were at their peak: They'd just recorded their best record, Seamonsters, with Steve Albini, and they were beginning to stretch their sound beyond the coy romanticism of old. However, the real joy of the singles – good as they were – was Gedge's esoteric choices for B-sides, including the Go-Betweens' "Cattle and Cane," Altered Images' "Think That It Might" (Gedge was a huge fan of their overlooked Bite album), and the Monkees' "Pleasant Valley Sunday." Diverting, original, and great fun.