For starters, there are no bagpipes on this weird and wonderful mix of 17th- and 18th-century music arranged for lute, ceterone, viola da gamba, and lyra viol. But the playing by Vittorio Ghielmi and Luca Pianca (founder of the Giardino Armonico ensemble) on Bagpipes from Hell will have you fooled that something wheezy is at work here. It's an odd mix of dances, including jigs, and folk-inspired numbers […] that somehow blends the droning elements of bagpipes and hurdy-gurdy with the intricate delicacy of baroque composition […] and the playing throughout is intense and exquisitely recorded. (Jason Verlinde)
With For Heaven's Sake, Hays and his bandmates craft a snappy and insistent forward momentum, wrapped around the leader's slightly idiosyncratic piano style, which mixes straightforward melodic beauty with a Hampton Hawes-like angularity. The result is an appealingly different—but still reverent—take on some nicely chosen jazz standards. ~Dan McClenaghan, allaboutjazz.com
With longstanding band-mates Doug Weiss and Bill Stewart by his side, Kevin's brilliant new release on JazzEyes ‘You’ve Got a Friend’ features luminous re-workings of Simon and Garfunkel’s “Bridge Over Troubled Water”, McCartney’s “Fool on The Hill” and the CD’s opening title track, Carole King’s radiant classic ‘You’ve Got a Friend’. Several new arrangements follow including Monk’s masterpiece ‘Think of One’, probing meditations on both Bob Dorough’s whimsical “Nothing Like You” and the Tobias classic “Sweet and Lovely” and concluding with a brilliant harmonic revision of Charlie Parker’s be-bop classic, “Cheryl”. (Source: kevinhays.com)
Germany's self-proclaimed "Kings of Beer," Tankard are one of the few thrash metal bands that never took themselves too seriously, pouring a lengthy discography down listeners' gullets over the years, filled with furious moshing and a barrel of laughs…
To enter the immersive realm of Still Point: Turning World is to join guitarist/composer Joel Harrison and colleagues in embracing the gloriously enlightening globalization of music, unhindered by category or preconception. This original eight-movement work brings together contemporary percussion quartet Talujon (Matt Ward, Michael Lipsey, Tom Kolor, David Cossin), Indian sarode player Anupam Shobhakar, and jazz musicians Hans Glawischnig (bass), Ben Wendel (saxophone/bassoon) and Dan Weiss (drums/tabla) to realize the guitarist’s striking, kaleidoscopic vision. Guests include V. Selvaganesh (perc.), Nittin Mitta (tabla), and Stephan Crump (bass).