Weiss Moskau

The complete cantata recordings of a Bach conductor who defined performance standards of these works in his day, newly remastered and compiled together for the first time on CD. In the generation of Bach interpreters before Karl Richter who brought his cantatas to an international audience, the name of Fritz Lehmann stands out: and indeed might still have eclipsed Richter but for his early death in 1956, at the age of just 51 and significantly just before the stereo era would move recorded music into a new era. Lehmann’s recorded legacy is nonetheless significant on its own terms, made mostly for Deutsche Grammophon and encompassing the Brahms’s German Requiem, and a Christmas Oratorio which he was recording at the time of his death, completed by Günther Arndt and now reissued by Eloquence (4827637).

The magic and mystery of Mexico make a welcome return on this recording, as the expert skills of Gerard Abiton explore Manuel Ponces complete works for guitar. There is a wealth of treasures to be enjoyed here, as Ponces vast career led him to explore a number of different styles. His time in Paris exerted a French influence on his music, heard in the wonderfully lyrical song-without-words motif in the second movement of his Sonata III.

Wer einen perfekten Einstieg in das musikalische Schaffen des einzigsten wirklichen Weltstars deutscher Herkunft sucht, hat ihn im Album "Der blonde Engel" zweilsohne gefunden. Hier hört man einen Querschnitt durch das deutschsprachige Reportoire der großartigen Marlene Dietrich, von Liedern aus ihrem ersten großen Filmerfolg "Der blaue Engel",wie "Ich bin von Kopf bis Fuß auf Liebe eingestellt"und "Ich bin die fesche Lola", über Antikriegslieder wie "Sag mir wo die Blumen sind" und "Die Antwort weiß ganz allein der Wind", Kinderliedern wie "Sch… kleines Baby" oder frechen Titeln im Stil der 20-er Jahre wie "Wer wird denn weinen wenn man auseinandergeht" oder große Balladen voller Weltschmerz wie "Allein in einer großen Stadt" und "Die Welt war jung".

Joe Bushkin - Three Classic Albums Plus (2013) {2CD Avid Jazz AMSC1097}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 571 Mb | MP3 @320 -> 384 Mb
Full Artwork @ 600 dpi (jpg) -> 46 Mb | 5% repair rar
© 2013 Avid Jazz | AMSC1097
Jazz / Traditional Jazz / Piano

AVID Jazz here presents three classic Joe Bushkin albums plus, including original LP liner notes on a finely re-mastered and low priced double CD. 'After Hours'; 'Piano Moods'; 'Brad Gowans and his New York Nine' plus radio transcriptions, plus three tracks from 'The Jazz Keyboards' plus several tracks from the 78 era. Joe Bushkin plays jazz from the old school having come up in the late thirties where he began playing at the Famous Door on 52nd Street, New York before going on to play with the likes of Bunny Berigan, Muggsy Spanier, Eddie Condon, Bud Freeman, Tommy Dorsey and Louis Armstrong to name but a few greats! Across our selections Joe can be heard playing with the likes of Barney Kessel, Harry Babasin, Buck Clayton, Jo Jones, Sid Weiss and Morey Feld. All three albums plus have been digitally re-mastered.

Completing a trilogy of albums whose compositions are infused with the various, colorful strands of traditional music from his Pakistani/Indian homeland, New York guitarist Rez Abbasi’s Unfiltered Universe presents the line-up of pianist Vijay Iyer, alto saxophonist Rudresh Mahanthappa, bassist Johannes Weidenmueller and drummer Dan Weiss, plus guest appearances from renowned classical cellist Elizabeth Mikhael. Previous releases Things to Come and Suno Suno focused, respectively, on Hindustani and Qawwali music, whereas this collection of seven new numbers explores and embraces the more rhythmically exuberant, South Asian elements of Carnatic instrumental music.

For his fourth Criss Cross leader date, alto saxophonist-composer David Binney convenes his primary New York working quartet of the 2000s (pianist Jacob Sacks, bassist Eivind Opsvik, and drummer Dan Weiss), adds to the mix guitar hero Wayne Krantz, with whom he works frequently in an electronica-oriented group, and augments the proceedings with several appearances by British pianist-composer John Escreet, a frequent partner in recent years. The leader plays with deep emotion and the concision of an old master; it's as strong a date as any in Binney's now sizable discography.