Werking On Extremities

The mystical figure On Ka'a Davis returns for his second CD on Tzadik, and his first in twenty-five years - Blending the psychedelia of Sun Ra with Miles Davis and Jimi Hendrix, this is an epic, direct from the ever-growing counterculture of Downtown New York - Performing on guitar, synth keyboard, programmed sounds, and percussion On is joined here by Don McKenzie on drums and Ali Ali on trumpet. Years in the making the music is wild, varied, and intensely felt. A New York Underground classic!

A new collection from former progressive rock band Fish On Friday - featuring Alan Parsons, Nick Beggs (Mute Gods / Steven Wilson / Lifesigns / Steve Hackett). Esoteric antenna are pleased to announce the release of "An Initiation (2010 - 2017)", a new collection which highlights some of Fish On Friday 's strongest songwriting, taken from their four albums released between 2010 and 2017. Featuring bass virtuoso Nick Beggs, Californian guitarist Marty Townsend, Belgian keyboard player-guitarist-vocalist and producer Frank van Bogaert and drummer Marcus Weymaere; "An Initiation" showcases the ethos of the band - strong songwriting, great musicianship and well thought out arrangements and lyrics.

The mystical figure On Ka'a Davis returns for his second CD on Tzadik, and his first in twenty-five years - Blending the psychedelia of Sun Ra with Miles Davis and Jimi Hendrix, this is an epic, direct from the ever-growing counterculture of Downtown New York - Performing on guitar, synth keyboard, programmed sounds, and percussion On is joined here by Don McKenzie on drums and Ali Ali on trumpet. Years in the making the music is wild, varied, and intensely felt. A New York Underground classic!

For those unfamiliar, Hell:on plays uncompromising death metal embellished by ritualistic influences; they sound like Behemoth might if that band dropped the black metal influences, picked up an assortment of folk instruments from all across Asia, and threw in some throat-singing from the steppes for good measure.
Shaman succeeds because its various elements are exceedingly well-balanced. The album opens and closes wearing its tribalistic heart on its sleeve; opener “What Steppes Dream About” jumps out of the gates with folk instrumentation and throat-singing, while the closing title track finds the band overtly exploring their penchant for atmospheric mysticism. But while intermediate cuts like “Preparation for the Ritual” and “I Am the Path” keep the ritualism high, there are a couple of mostly straight-laced death metal bludgeoners to keep things from becoming too ethereal.