Wet Ware

"Driven By Power Ballads gathers 100 of the most popular power ballads from some of the biggest artists of all time. The collection combines the greatest classics of the genre plus newer contemporary hits with no less than 60 air grabbing top ten singles. The classic fist-pumping rock ballads are brought to you by 4 Non Blondes, Cher, Rod Stewart, Asia, Rainbow, Kiss, Bonnie Tyler, Simple Minds, T’Pau plus many more incredible names. The excellent line-up of newer bands includes OneRepublic, Puddle Of Mudd, 3 Doors Down, Hoobastank, Hozier, Blink-182. Also included are the big pop ballads that reigned the charts from Emeli Sandé, James Bay, Ellie Goulding, Jessie Ware, Amy Winehouse, John Newman, Maverick Sabre, the list goes on. An irresistible collection of ballads that will always resonate. Includes 10 Number 1s. Over 40 Top 10s and 15 Top 20 singles. All in their original versions."

Above the album worked the 'The Best Mother's Day Album In The World…Ever!', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

Enjoy this Compilation with the most successful Motown for Drivin singers like The Spinners, Jackson 5, The Supremes and many more!

Wagram Music Presents 50 Hits Winter 2018 album 60 original hits and the original artists. Includes tracks by Jessy Matador, Ridsa, Papi Wilo, Lorna, Ji Rodrigues, VASSY Afrojack, Charly Black, Muttonheads, Axwell /\ Ingrosso and more.

Georg Friedrich Händels Messiah wurde am 13. April 1742 erstmals in Dublin aufgeführt und danach mehrmals umgearbeitet. Doch es existiert eine frühere Fassung von 1741, die auf den beiden autographen Partituren des Komponisten basiert. Der Musikwissenschaftler Malcolm Bruno hat diese Urfassung rekonstruiert. So agiert hier nun ein eigenständiger Holzbläsersatz aus zwei Oboen und Fagotten, und auch bei den Arien kann man Neues entdecken. Bruno ist von der Ersteinspielung des „Ur-Messiah“ begeistert und hoff t, „dass der Zuhörer die Erfahrung macht, den Messiah so zu hören, als ob er zum allerersten Mal aufgeführt würde, als ob die Tinte von Händels Manuskript noch feucht wäre.“ George Frideric Handel‘s Messiah was first performed in Dublin on 13 April 1742 and subsequently reworked several times. However, an earlier version from 1741 exists, based on the composer‘s two autograph scores. The musicologist Malcolm Bruno has reconstructed this original version and published it with Breitkopf & Härtel. In this version, an independent woodwind section consisting of two oboes and bassoons can be heard, and there are also new discoveries to be made in the arias. Bruno is enthusiastic about the first recording of the „Ur-Messiah“ and hopes „that the listener has the experience of hearing the Messiah as if for a fi rst time, as if the ink of Handel’s manuscript were still wet“.