Wheel Rema Rema

Forming in 1969, Asleep at the Wheel was one of the first bands (along with Commander Cody & His Lost Planet Airmen) of the long-haired hippie generation to look back to American roots music traditions like Western swing and boogie-woogie, but the world wasn't quite ready when they released their 1973 debut on United Artists. The following year, they switched over to Epic for their self-titled sophomore release, and began to really make a name for themselves…

What more can you ask for? Asleep at the Wheel playing on Austin City Limits running through a smoking program of rocking, strolling Western swing tunes – with special guests like Eldon Shamblin, Johnny Gimble, Leon Rausch, and Herb Remington no less. Asleep at the Wheel have performed on Austin City Limits numerous times – including the very first broadcast program back in 1976 – but this show, recorded gorgeously from 1992, is special. The bandmembers are so relaxed, open, and in the groove here that this stands out among their live recordings. It's true that the program is familiar, full of favorites and legendary swing tunes, though "Boot Scoot Boogie" by Brooks & Dunn's Ronnie Dunn is also here. Some of the standouts include "Roly Poly," "Corrine, Corrina," "Blues for Dixie," and the closing read of the Cindy Walker/Bob Wills tune "Sugar Moon."

Encased in a classy sleeve painted by Scottish playwright John "Patrick" Byrne, the first LP from the tumultuous Stealers Wheel is a debonair affair comprised of the kind of accomplished and polished pub pop for which impetus Gerry Rafferty would become known as he subsequently rode out the decade on the sublime radio single "Baker Street ." Rafferty released his first solo slab, Can I Have My Money Back? (the title already showing signs of unrest) in 1971, and brought amigo Joe Egan from those sessions to the princely proceeding here. Worthy musical moments abound, all forever overshadowed by the clever corporate-snub "Stuck in the Middle With You" which branded the duo a one-hit wonder when the track took on a life of its own…

HIGH WHEEL's history begins in late-80's ,when Wolfgang Hierl and Erich Kogler set themselves apart from the thrash metal scene and their band ''The Hammers'',searching for more melodic and refined musical paths. Their new project would never become true,if they hadn't met excellent drummer Uli Jenne and after a few rehearsals they decided to form officially a new progressive rock act. With the addition of Andreas Lobinger on keyboards their debut ''1910'' came out in 1993 as a private press,recorded at Tonstudio Rixner near Tegernnsee.

Thanks to a roster including Cocteau Twins and Pixies, UK imprint 4AD has maintained its status as a force in independent music for more than 30 years. Author Martin Aston talks about his exhaustive new history of the label.

Extensive 5CD/book set exploring the evolution of the Goth movement, from the glacial postpunk of the late 1970s through positive punk and into the Batcave era, dark electronica and beyond.

Featuring 21 essential tracks from impLOG, File Under Pop, AC Marias, The Flying Lizards, Rema Rema, Robert Rental and Thomas Leer, DNA, Wire, The Urinals and more… The spine of this collection are tracks by post-punk luminaries Wire, Joy Division and the Prefects. not so 'secret' you may think, but consider the nascent lo-fi Subway Sect, the uncompromising other-worldly sounds of impLOG's “Holland Tunnel Dive” & the hyper obscure experimentalism of File Under Pop and you're getting the idea. From Pere Ubu's dystopian phychedelia to the motorik of Chrome, it's a snapshot of a brief era, heavy on invention.