Who From September 5, 2016 Pdf

It may be pure coincidence, but in 1626, it was two enlightened intellectuals from Seville artist Diego Velazquez and composer Francisco Correa de Arauxo, who stood out for their ability to portray a microcosm of human emotions in their work. The surviving body of Correas work, the Facultad organica, was published in 1626. For its time it remains a remarkably forward-looking collection. It is especially notable for the dissonant harmonies which Correa, as a cleric as well as a composer, aimed to evoke for his listeners the hardships facing them on their path towards a longed-for paradise.

Following the album Arias, her much-acclaimed debut album on Sony Classical, the German soprano returns to Bach with three famous cantatas she has never recorded before. Regardless of their extraordinary musical beauty all of these cantatas are concerned with religious considerations of grief, guilt and farewell. Based on the Italian model of solo cantata which reached its peak in the extensive output of Alessandro Scarlatti, these melodious and touching pieces highlight Schäfer´s outstanding vocal abilities and musical taste. The arias offer most delightful duets with various instrumental solo parts such as flute, oboe and violin. Christine Schäfer is accompanied by the Berliner Barocksolisten, a first-class ensemble of players from the Berlin Philharmonic who perform on modern instruments in historically informed style.

London Symphony Orchestra - Sibelius Symphonies Nos 3 & 7 - Sir Colin Davis (2018) {B&W Society of Sound LSO96 16-44.1}
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© 2018 LSO / B&W Society of Sound | LSO96
Classical / Early 20th Century

With his Third Symphony, Sibelius began a process of innovation that was to culminate in his Seventh and final symphony. He discarded the conventional structure of a symphony, and into each work condensed a unique aura that evokes beauty, mystery, colour and light together with his love of his Finnish homeland.