DG s iconic artist Anne-Sophie Mutter is breaking new grounds with her new album Live from Yellow Lounge. Inspired by the huge success of her first Yellow Lounge in Berlin in 2013, the new album was recorded live at two special Yellow Lounges, which makes for the first ever YL production on tape, 15 years after the concept was introduced. The events took place on two consecutive nights on 7 and 8 May, 2015 at one of Berlin s hippest venues Neue Heimat and was filmed in cooperation with ZDF and DEF Media.
Film composer Eleni Karaindou was born in the Greek mountain village of Teichio and raised in Athens, going on to study piano and music theory at the Hellenikon Odion. Relocating to Paris in 1969, she studied ethnomusicology for five years before returning to Greece to found the Laboratory for Traditional Instruments at the ORA Cultural Centre. Karaindrou's most successful collaboration was with filmmaker Theo Angelopoulos, with whom she first teamed in 1982, going on to score features including 1991's The Suspended Step of the Stork, 1995's Ulysses' Gaze, and 1998's Palme d'Or-winning Eternity and a Day.
Le titre de cet album “Je vous salis ma rue” est la contrepèterie de “Je vous salue Marie”, Marie pouvant être très probablement une allusion à la Marie-Jeanne. Cette contrepèterie est connue pour être un poème de Jacques Prévert, extrait de Fatras, son dernier recueil, paru en 1966.
This 53-CD set is more than the sum of its parts. While not all the performances and recordings are top-notch, the overall quality is very high and as a historical overview of a label known for its sonic as well as musical merits, it's full of treasures. The Mercury sound at its best is vivid and still sounds remarkable and many of these recordings - such as the marches, show tunes and orchestral showpieces conducted by Frederic Fennell - demonstrate this amply. But it's not all lollipops by any means.
This 53-CD set is more than the sum of its parts. While not all the performances and recordings are top-notch, the overall quality is very high and as a historical overview of a label known for its sonic as well as musical merits, it's full of treasures. The Mercury sound at its best is vivid and still sounds remarkable and many of these recordings - such as the marches, show tunes and orchestral showpieces conducted by Frederic Fennell - demonstrate this amply. But it's not all lollipops by any means.