Wild Hotties From Vol.86, 2014 Pdf

Leading up to the August 2014 release of the 200th issue of Classic Rock, the 199th issue of the UK magazine featured an in-depth Rival Sons cover story, as well as the Rock 'n' Roll Excerpts Vol. 1 bonus disc. The ten song Rival Sons' compilation disc, which opens with "Open My Eyes", the first single from the Great Western Valkyrie album, provides a glimpse of the Long Beach based group's lean on the high times '70s…

Miles Davis - Miles At The Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3 (2014) {4CD Set Columbia-Sony Music}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.43 Gb | MP3 @320 -> 600 Mb
Full Artwork @ 600 dpi (png) -> 1.23 Gb | 5% repair rar
© 1970, 2014 Columbia / Legacy / Sony Music | 88765433812
Jazz / Jazz Funk / Fusion / Trumpet

Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.

Various Artists - Cold Cold Heart: Where Country Meets Soul Vol. 3 (2014) {Ace Records CDKEND 422}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 416 Mb | MP3 @320 -> 185 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 2014 Ace Records / Kent Records | CDKEND 422
Country / Soul / R&B / Southern Soul

If the release of Cold Cold Heart proves anything, it's that Where Country Meets Soul is one of Ace Records' most popular series of the 2010s. If this third volume proves anything else, it's that the well of country-soul has hardly been tapped dry by compiler Tony Rounce and the label. Apart from a handful of tracks cut in the early '60s right in the wake of Ray Charles' groundbreaking Modern Sounds in Country & Western Music plus a few sides cut in the disco era or later, Cold Cold Heart is firmly grounded in the late-'60s heyday of soul music.

Various Artists - The Hillbillies: They Tried To Rock, Vol. 2 (2014) {Bear Family BCD17406AH rec 1953-1958}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 300 dpi (jpg) -> 100 Mb | 5% repair rar
© 1953-58, 2014 Bear Family Records | BCD 17406 AH
Hillbillies / Rock & Roll / Country / Country Boogie / Rockabilly

The second volume of Bear Family's riotous 2014 series The Hillbillies: They Tried to Rock is every bit as good as its companion, possibly because it has many of the same players as the first disc. Marty Robbins, Patsy Cline, George Jones, Johnny Horton, Webb Pierce, and Marvin Rainwater didn't cut just one jumping rock & roll single, they cut several and the best of these appear on this 31-track delight. Although there are a few exceptions here, nearly everything on this collection dates from 1956 through 1958, when it was still possible that rock & roll was just another dance fad and not a cultural revolution.

The Legacy Collection plunders the deepest depths of the Disney sound archive to collect, with unprecedented completeness, the audio histories of 11 classic animated films from each era of the Disney Studios, from Lady and the Tramp and Aristocats to Little Mermaid and the Lion King to Toy Story and Wreck-It Ralph, with one more CD devoted just to Disneyland. Each disc contains the full score of a film from opening to closing credits, unreleased rarities, and bonus material. Then there's the books.

Beat Records presents The Art Of Listening Vol. 1. Oneohtrix Point Never, Nico Muhly, Arca, Jaga Jazzist, Nosaj Thing, Nadia Sirota, Amon Tobin and others.

iTunes Singles Pack (February, vol.2) 2014
MP3 - M4A 256 kbps | Tracks: 40 | 02:55:15 | 358 mb
Genre: Pop, Dance, Country, Electronic, Club

Fresh new Pop and Dance singles February 2014 in album "iTunes Singles Pack - February - vol.2, 2014"

The J. Geils Band was one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, The J. Geils Band was a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio.