Wild New York

Symphony No. 2 by Gustav Mahler, known as the Resurrection Symphony, was written between 1888 and 1894, and first performed in 1895. This symphony was one of Mahler's most popular and successful works during his lifetime. It was his first major work that established his lifelong view of the beauty of afterlife and resurrection. In this large work, the composer further developed the creativity of "sound of the distance" and creating a "world of its own", aspects already seen in his First Symphony. The work has a duration of eighty to ninety minutes and is conventionally labelled as being in the key of C minor; the New Grove Dictionary of Music and Musicians labels the work's tonality as C minor–E♭ major. It was voted the fifth-greatest symphony of all time in a survey of conductors carried out by the BBC Music Magazine.

Joe Venuti and Eddie Lang cut different figures. Joe was combative, a joker and man about town. Eddie was quiet, considerate and careful with money. They were born in Philadephia - Eddie in 1902, Joe in 1903 - to Italian immigrant parents. Both studied the violin. Their partnership began in their mid teens when Eddie joined Joe's newly-formed band as a guitarist. Soon they were performing as a duo. Eddie made the early running. In 1919 he joined Charlie Kerr's Orchestra as a violinist, switching to banjo.

On An Evening of New York Songs and Stories, Vega revisits some of the most iconic songs in her repertoire as well as more hidden gems in a stunning live recording on which she is backed by longtime guitarist, Gerry Leonard, bassist Jeff Allen and keyboardist Jamie Edwards. The album was produced by Gerry Leonard, mixed by Grammy Award winning engineer Kevin Killen and mastered by Grammy Award winner, Bob Ludwig.

Lou Reed - New York (2020) {Rhino–Warner Records Deluxe Edition 603497847167 rec 1989}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 662 Mb | MP3 @320 -> 328 Mb | Cover | 5% repair rar
© 2020 Rhino / Warner Records | 603497847167
Rock / Contemporary Rock / Rock & Roll / Experimental

Were I a professor of rock and roll music and one to grade albums, this record would stand as the finest record I've heard in my 50+ years of listening to this stuff. It's not my emotional favorite album (that being The Wild, The Innocent and the E Street Shuffle) but it's a record I listen to often, still. Each song stands on its merits and the lyrics are just brilliant; Lou was the smartest man who ever played rock and roll. It's not an easy listening album; like most of Lou's records there are some cuts that are painful to listen to, but some of the rock cuts are ear worms, most notably Dirty Boulevard which replaced Sweet Jane as Lou's signature live song. This album is like reading a really good book; the trip is a great one, and when it is done, you'll be thinking about it for a very long time.

To write a review about Christoph Spendel is not easy. Christoph is a very active musician, who has already played in more than 46 albums, which are listed at his website www.spendel.com. Inspecting these cds the problem is to find the right start . Outlining a rough sketch we have to decide between the straight ahead jazzer and the contemporary/smooth jazz musician. But this frame is really too rough, if one listens to his diverse albums. Take for his example his album "Jazz Meets Classic" with classic and jazz elements, his album "The Art Of Piano Solo", on which he is mixing jazz and hip hop incredients or his album "Electric Bolero", declared as smooth-chill out-lounge-world music.