There are some attractive ideas in Spring (Vesna), a charming work, refined and transparent in its orchestration, playing on birdsong and building to a sensuous climax. The more familiar Concert Waltzes contain some of Glazunov’s most winning tunes. The novelty most likely to excite curiosity here is Glazunov’s music for Oscar Wilde’s Salomé, with Salome’s dance leading to a Polovtsian climax. Salome sheds her veils in a most unerotic fashion. But this cannot be blamed on the conductor, and generally there are warm, idiomatic performances, richly recorded.
Dividing his time between the United States and France, Laurent de Wilde has found a welcoming audience in both countries. His third solo album, Open Changes, resulted in de Wilde receiving a Django Reinhardt Award for Best French Musician of 1992. In addition to leading his own group, de Wilde has worked as a session player for Reggie Workman, Ralph Moore, Greg Osby, Joshua Redman, Dee Dee Bridgewater, Aldo Romano, André Ceccarelli, Harold Land, and Tom Harrell. In 1987, he recorded the first of a series of four albums for Ida Records “Off The Boat“ with Eddie Henderson, Ralph Moore, empowered by Ira Coleman on bass and Billy Hart on drums. In 1989, “Odd And Blue” is released with Coleman and Jack DeJohnette (drums) followed in 1990 by “Colors of Manhattan”, with Coleman, Henderson and Lewis Nash…
Chronological development of popular music from 1960 to 1997, the impact of social change on the text and style of music. Immerse yourself in a nostalgic trip, remember how it was different before. For the older generation it - a memory, a wonderful meeting with the youth and for the young - a unique opportunity to hear music that is virtually nowhere is not sound.
Compilation of popular and rock music from the 1980s performed and in part written by various musicians including New Zealand musicians Crowded House, Jenny Morris, Dave Dobbyn, Shona Laing, Mi-Sex, The Swingers, Split Enz and Sharon O'Neill.