A limited guitar player at best, and with a voice that hardly spans a couple of octaves, Leonard Cohen has nonetheless fashioned a legacy of gorgeously realized songs that reach deep into the heart of lust, ill- and well-fated romance, hope, and redemption, and if he doesn't sing like an angel, he could certainly mesmerize one with the melody, lilt, and power of his songs…
The Byrds were one of the most progressive and exciting band in '60s rock, with no peers outside the Stones-Beatles-Beach Boys triumvirate. This box set, which collects their original Columbia albums, represents over 90-percent of their career, basically everything they released, all 12 albums (aside from their 1973 reunion album recorded for Asylum). This material was frequently astonishing at the time, and still is, ranging from their debut single "Mr. Tambourine Man" through the bracing folk-rock of their first two LPs, growing psychedelia and experimentation during 1966 and 1967, then a sudden detour into country-rock and mellow pop for the rest of the '60s…
Nina Simone was a singular artist, and she went where she pleased, leaving behind a recorded legacy that is passionate, political, defiant, and delicate by turns, no matter what strain of folk, blues, jazz, or gospel she was dipping into, and she did it all with dignity, grace, and intelligence. This set collects all nine of her albums for RCA Records (released between 1967 and 1974), and thus includes some of her greatest recordings. Signature songs like "I Loves You, Porgy," "I Want a Little Sugar in My Bowl" (in a couple of versions), and "Mississippi Goddam" (a Simone original - one wishes she had written more than she did) are all here, along with powerful versions of songs by Bob Dylan, Leonard Cohen, Willie Dixon, the Beatles, and Randy Newman, among others. Simone didn't just sing a song. She made it hers.
Judging from their radio hits, the Turtles were one of the best American pop bands of the '60s, crafting a series of engaging singles that were tuneful, witty, and fueled by a potent mix of Brill Building professionalism and knowing musical experimentation. But while one could certainly get a perspective on their genius through hits like "Happy Together," "Eleanor," "She's Rather Be with Me," and "You Baby," it was on their albums (and the B-sides of their 45s) where they let their imaginations run free and cut their wittiest and most ambitious material.
Tenor saxophonist Dexter Gordon had been an expatriate since 1963 when he discovered Europe was where the consistently paying jazz gigs were to be found. In 1976 he returned to the States and began recording for Columbia Records and also embarked on an acting career. Sony Legacy repackaged and re-released six Dexter Gordon albums of that era in their entirety with mini-LP sleeves and original cover art: Homecoming: Live at the Village Vanguard (1976), Sophisticated Giant (1977), Manhattan Symphonie (1978), Live at Carnegie Hall (1978), and Gotham City (1980).