Compiled from Mertens's solo and group projects recorded during the early to mid '80s, this Windham Hill collection offers an overview of his textural, multilayered style of minimalist composition.
One can imagine how a composer like Wim Mertens could appear on the Windham Hill label and – to some people's surprise – in the late '80s he appeared twice. Whisper Me is a compilation of tracks from his other Crepuscle releases, a mini-overview of his style, and a way of hearing some tracks from the then-impossible-to-find Maximizing the Audience. Mertens has more depth to him than other pianists on the label, and a darkness creeps in at the edges of these works.
Here is a collection of familiar classical music adagios given new interpretations by Windham Hill artists. Although most of the tracks do have synthesizer harmonies and embellishments, there are some that do not. The Brahms Intermezzo contains its own intermezzo in the form of a jazz piano trio improvisation. Edgar Meyer on double bass and Mike Marshall on mandolin perform a nice, straightforward transcription of the Prelude in C sharp minor from Bach's Well-Tempered Clavier, Book 2, with no synthesized embellishments.
A couple of weeks ago I shared a sampler of Windham Hill label…
A few weeks ago introduced the 'sampler' of Windham Hill 1988, just in that collection displays a part of the duo 'Rubaja & Hernández'…