Winter Journeyм

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.

Johnny Winter returns to major-label distribution for the first time in eight years with The Winter of '88, released by Voyager Records via MCA. This is a project produced and engineered by Terry Manning, who also contributed some keyboards, and Manning's intent seems to have been to move Winter in a more commercial direction, specifically toward the synth-enhanced boogie of ZZ Top. That effect is particularly notable on the lead-off track, "Close to Me," and on "Show Me"; otherwise, Manning is more subtle. Still, after three straight blues albums for the independent Alligator Records label, Winter had established a pure blues pedigree, and a move back toward the mainstream may not sit well with his more purist fans. It isn't really that overt, for the most part, but this is clearly a more highly produced, more commercially intended record than any Winter has made since he left the CBS Records subsidiary Blue Sky after Raisin' Cain in 1980.

This album was originally released in 1969 as "First Winter". When Johnny Winter emerged on the national scene in 1969, the hope, particularly in the record business, was that he would become a superstar on the scale of Jimi Hendrix, another blues-based rock guitarist and singer who preceded him by a few years. That never quite happened, but Winter did survive the high expectations of his early admirers to become a mature, respected blues musician with a strong sense of tradition. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".

"Eylin de Winter" is her alias. Secrecy surrounds her real name. She is one of the media attracting hot-shots in the hustling and bustling movie and filmscore scene. Erotic dreams and sensual action with no boundaries are her passion. The music for "Magic Women" was inspired by her novel "Me, female, sexy looks for girl friend…".

After two late-'60s albums on Columbia, Johnny Winter hit his stride in 1970 working with Rick Derringer and the McCoys, now recruited as his sidemen and collaborators (and proving with just about every note here how far they'd gotten past "Hang on Sloopy"). In place of the bluesy focus on his first two albums, Winter extended himself into more of a rock-oriented mode here, in both his singing and his selection of material. This was hard rock with a blues edge, and had a certain commercial smoothness lacking in his earlier work. Derringer's presence on guitar and as a songwriter saw to it that Winter's blues virtuosity was balanced by perfectly placed guitar hooks, and the two guitarists complemented each other perfectly throughout as well…

BGO Records continues its series of two-fer CD reissues of Johnny Winter's Columbia and Blue Sky LPs with this combination of two successive albums, 1977's Nothin' But the Blues and 1978's White, Hot & Blue. Both discs were informed by Winter's involvement with Muddy Waters, for whom he produced comeback albums prior to each of his own efforts, 1977's Hard Again and 1978's I'm Ready. After the Grammy-winning Hard Again, Winter toured with Waters, and when he came to make Nothin' But the Blues, he recruited Waters and his band as sidemen. (Waters only made a vocal contribution, singing "Walking Thru the Park.") Thus, Winter performed with harmonica player James Cotton and pianist Pinetop Perkins, among others…

Although his early Columbia albums brought him worldwide stardom, it was this modest little album (first released on Imperial before the Columbia sides) that first brought Johnny Winter to the attention of guitarheads in America. It's also Winter at the beginning of a long career, playing the blues as if his life depends on it, without applying a glimmer of rock commercialism…

Eylin de Winter is a collaborative erotic conception of Michael Weisser with invited IC composers and performers Curtis McLaw and his band Blue Knights, Peter Sefkow and other musicians. Also there are some printed erotic novels under this pseudonym.

This compact disc consists of very rare and historical musical moments from the personal archives of the late great Johnny Winter. Some of the source tapes were not made on the most advanced equipment of the day, but just to have a glimpse into the power of these rare live performances, makes this an enjoyable Johnny Winter experience.