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Wolfstein II

Intergraph CAESAR II 2018 version 10.00.00.7700  Software

Posted by scutter at Dec. 9, 2017
Intergraph CAESAR II 2018 version 10.00.00.7700

Intergraph CAESAR II 2018 version 10.00.00.7700 | 1.2 Gb

CADWorx & Analysis Solutions announces the release of CAESAR II 2018 (version 10.0), the newest version of Hexagon PPM’s industry-acclaimed solution for pipe stress analysis for evaluating the structural responses and stresses of piping systems according to international codes and standards.

TBProAudio LA xLimit II v1.2.5 WiN  Software

Posted by orientazure at Nov. 2, 2017
TBProAudio LA xLimit II v1.2.5 WiN

TBProAudio LA xLimit II v1.2.5 WiN | 5 Mb

LA xLimit II is an advanced look ahead, wideband linked-stereo limiter including ISP (inter sample peak) detection and oversampling.

Calendar 366 II 2.0.4 MacOSX  Software

Posted by EXGenerator at Nov. 9, 2017
Calendar 366 II 2.0.4 MacOSX

Calendar 366 II 2.0.4 MacOSX | 10.36 MB

Calendar 366 II helps you keep track of appointments and to-do's, meetings and deadlines, birthdays and dates. Anything a calendar can do, Calendar 366 II can do better – and all functions can be adjusted easily and intuitively.

Calendar 366 II 2.0.5 Build 410 MacOSX  Software

Posted by EXGenerator at Nov. 9, 2017
Calendar 366 II 2.0.5 Build 410 MacOSX

Calendar 366 II 2.0.5 Build 410 MacOSX | 10.36 MB

Calendar 366 II helps you keep track of appointments and to-do's, meetings and deadlines, birthdays and dates. Anything a calendar can do, Calendar 366 II can do better – and all functions can be adjusted easily and intuitively.

Castle Instruments Volt II KONTAKT  Software

Posted by orientazure at May 1, 2020
Castle Instruments Volt II KONTAKT

Castle Instruments Volt II KONTAKT | 2.01 Gb

Volt II is the follow up to our last popular Kontakt library Volt I. Volt II is packed with deeply sampled and highly playable sounds including hard hitting and gritty bass sounds, ethereal pads and strings, arpeggios, distorted other-world textures, alien atmospherics and dreamy uplifting chordal synths.

Calendar 366 II 2.0.0 MacOSX  Software

Posted by EXGenerator at Sept. 30, 2017
Calendar 366 II 2.0.0 MacOSX

Calendar 366 II 2.0.0 MacOSX | 10.41 MB

The most complete menu bar calendar for events & reminders!

Calendar 366 II 2.0.2  Software

Posted by tnt-reloaded at Oct. 16, 2017
Calendar 366 II 2.0.2

Calendar 366 II 2.0.2 Multilingual | macOS | 13 mb

The most complete menu bar calendar for events & reminders!
Appointments and ToDo's, meetings and deadlines, birthdays and dates - make the most of your time with Calendar 366 II!

Audio-Assault Grind Machine II v1.2 WiN OSX  Software

Posted by orientazure at March 12, 2018
Audio-Assault Grind Machine II v1.2 WiN OSX

Audio-Assault Grind Machine II v1.2 WiN OSX | 21 Mb

Grind Machine II is the reincarnation of our legendary metal tone monster “Grind Machine”! Reconstructed from the ground up, Grind Machine II delivers a streamlined workflow and improved realism!

Sonic Projects OP-X PRO-II v1.2.5 WiN / OSX  Software

Posted by orientazure at Dec. 24, 2017
Sonic Projects OP-X PRO-II v1.2.5 WiN / OSX

Sonic Projects OP-X PRO-II v1.2.5 WiN / OSX | 4 Mb / 10 Mb

OP-X PRO-II is the new top flagship of the OP series offering many new and extended features inspired by requests from users we have collected over the years as well as own new ideas. Due to its countless sound shaping features and flexible voice management the range of possible sounds reaches from early monophonic synths over classics like OB-X and Jupiter-8 up to Matrix-12.

Rob Papen BLUE II v1.0.3a MacOS  Software

Posted by Dizel_ at July 8, 2018
Rob Papen BLUE II v1.0.3a MacOS

Rob Papen BLUE II v1.0.3a MacOS | 338 Mb

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.