Worldwar2 2014 01

Charley Pride - The Country Way (1967) + Make Mine Country (1968) {2014 Music City Records Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 402 Mb | MP3 @320 -> 149 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1967-68, 2014 RCA / Music City Records / Sony Music | 05316
Country / Country Pop / Nashville Sound

There needs to be at least 5 more available stars for this cd set. Charley Pride's 3rd Album, "The Country Way" was the best album of his entire career! It could have been a Greatest Hits album - all of the songs are THAT good!! Charley is way over due for a boxed set on his entire RCA career, but - hopefully - that will happen soon. You cannot go wrong with this cd. In fact, buy 5 and give to your friends and neighbors. If there is a greater demand for these 60's country music super stars on cd, someone will put out more of all of the deserving artists.

After a tumultuous parting from his first label, Virgin, famed British new age artist/composer Mike Oldfield signed an extensive deal with Warner Bros which would carry him into the next millennium. His first act at Warner was to deliver 1992's Tubular Bells II, the instrumental sequel to his groundbreaking 1973 debut. Over the coming decade, he would release seven more albums with the label ranging in style from Celtic to worldbeat to dance-oriented music. The Studio Albums 1992-2003 includes all eight of his Warner releases in one affordable box set…

Containing 1CD per year of live material taken from 2014-2018, Audio Diary features King Crimson in its ideal environment - recorded live.

The Flying Dutchman imprint BluesTime made it a specialty of modernizing old blues guys, bringing such stalwarts as T-Bone Walker, Otis Spann, and Big Joe Turner into the paisley-drenched, psychedelic late '60s. BluesTime also signed Eddie "Cleanhead" Vinson to its label but, for a variety of reasons, the saxophonist didn't follow the label's directive on 1970's The Original Cleanhead, choosing to more or less adhere to the blend of blues, R&B, and bop that became his signature in the '40s, along with relying on a selection of familiar songs. Vinson does show some signs of settling into his role as an old pro – his voice, which surfaces often, is robust and gravelly, he prefers to ease back rather than push – and he's not adverse to giving "Juice Head Baby" space for an organ and horn section that makes it feel somewhat of its time.