Xconfessions Vol. 18

"That'll Flat… Git It!" is one of the best compilations of the 1950's rockabilly. Each volume contains nearly 30 songs, mostly rockabilly classics and unknown great artists. In spite the tracks were remastered, you can hear some noise, especially in the end of the tracks. This is because many songs were taken from original vinyl singles.

Jascha Heifetz was a Lithuanian-born American violinist. He was born in Vilnius. As a teen, he moved with his family to the United States, where his Carnegie Hall debut was rapturously received. He had a long and successful performing and recording career; after an injury to his right (bowing) arm, he focused on teaching. The New York Times called him "perhaps the greatest violinist of all time."

For fans of the American blues-rock Good Whiskey Blues - just a gift. Cool melodies, captivating rhythms, original things … and what voice !? Bluesmen such as Bleu Jackson, Freddie & The Screamers, Sy Clopps, would look absolutely win-win next to any superstar, and slide guitar of Michael Henderson is not worse than, say, the same Dave Hole.

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.

As soul music moved into the early '70s, it became dominated by smoother sounds and polished productions, picking up its cues from Motown, Chicago soul, and uptown soul. By the beginning of the decade, soul was fracturing in a manner similar to pop/rock, as pop-soul, funk, vocal groups, string-laden Philly soul, and sexy Memphis soul became just a few of the many different subgenres to surface. Often, the productions on these records were much more polished than '60s productions, boasting sound effects, synthesizers, electric keyboards, echoes, horn sections, acoustic guitars, and strings.