Xtreme Daily Burn 30 Day Complete Shock & Shred Body Killer Cardio Hiit Program

Core is a 14-day program to get you on the path to lean and sculpted abs. Over the next two weeks, you'll work your abs, obliques, lower back, glutes, and hip flexors. Targeting a wide variety of muscles will help get your core in the best shape possible.

BIOHIIT is a unique DVD workout program with 5 workouts tailored to your fitness level. Workouts include:

The Spanish Jazz Factory label assembled this collection of Anita O'Day sides recorded between 1942 and 1950, with a variety of orchestras led by Stan Kenton, Gene Krupa, Alvy West, Will Bradley, Abbey Brown, Paul Jordan, Jack Pleis, and Ben Homer. Though the liner notes definitely aren't up to the quality of an average major-label compilation, collectors will be overjoyed to see so much attention to detail regarding the early career of an important jazz singer, from evergreens like "And Her Tears Flowed Like Wine" to novelty fare like "Tennessee Waltz" and "Yeah Boo."

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The Spanish Jazz Factory label assembled this collection of Anita O'Day sides recorded between 1942 and 1950, with a variety of orchestras led by Stan Kenton, Gene Krupa, Alvy West, Will Bradley, Abbey Brown, Paul Jordan, Jack Pleis, and Ben Homer. Though the liner notes definitely aren't up to the quality of an average major-label compilation, collectors will be overjoyed to see so much attention to detail regarding the early career of an important jazz singer, from evergreens like "And Her Tears Flowed Like Wine" to novelty fare like "Tennessee Waltz" and "Yeah Boo."

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.

30-Day Challenge: Embroidery is an easy-to-follow program for beginning stitchers to learn embroidery basics, master new stitches, and create dozens of modern embroidery projects.

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.