Syrinx’s path veered from the dominant modes of ‘70s subculture, their version of chamber pop hybridized with wild, whimsical electronic experimentation charting new territory in the under and overground.
Formed by composer John Mills-Cockell after the dissolution of Intersystems, Syrinx’s two adventurous albums, Syrinx and Long Lost Relatives, endorsed the poetic potential of the avant-garde, subverting a turn of the ‘60s trend toward technological pageantry.
Tumblers From The Vault presents these two albums alongside the trio's unheard music, revisiting the Syrinx story and sharing their memorable, mind-bending melodies.
Theatre Music - the dialogue in the service of great poetry - is the focus of this recording. We have already been able to perform Egmont with several renowned actors. That the part of the narrator is here taken by Herbert Föttinger, currently the director of the theatre for which Beethoven himself wrote music, is beautifully fitting. Christopher Hampton has modeled the combined texts of Goethe and Grillparzer into his poetic English translation. It fills us with great joy and gratitude that John Malkovich - with whom we have already had the pleasure of collaborating for several years - has taken on the part of the narrator in the English version.
A French rock band Gepetto was founded by George Pinilla (the founder of George's Shop DVD and Video Store) as almost a one-man project with some musical friends / collaborators. His debut creation "From Heaven To The Stars …", obviously inspired by lots of progressive rock (especially Neo-Prog) vanguards, has been released in May 2016 via a French distributor Musea Records.
The ex-Blumfeld-singer released the album Songs From The Bottom Vol. 1. The album that was produced with Swen Meyer contains cover versions of artists like Britney Spears, Lana Del Rey, Radiohead, The Verve and many more. Jochen Distelmeyer will promote the album on an extensive tour. Jochen Distelmeyer is a German singer and songwriter. He was born 1967 in Bielefeld, Germany. From 1990 to 2007, Jochen Distelmeyer fronted one of Germany's premiere indie rock bands. Named after a Kafka short story, Blumfeld made music that was experimental, political, and – in contrast to many bands from the same era – performed almost entirely in German.
Active as a soloist and as a member of leading early music groups worldwide, Mime Yamahiro Brinkmann has appeared on a number of BIS releases, often being singled out in reviews for her performances as continuo player and soloist. For her first solo disc, she has devised a programme illustrating the rise of the cello – from its beginnings as a large-bodied, deep-voiced provider of accompaniments in church music to a glittering, flittering solo instrument of the Rococo. The programme begins with some of the earliest repertoire for the instrument – two unaccompanied pieces by Domenico Galli and Giovanni Battista degli Antonii, and a solo sonata by Domenico Gabrielli, all hailing from around 1690.
In March 2016 Billy Bragg and Joe Henry, guitars in hand, boarded a Los Angeles-bound train at Chicago’s Union Station looking to reconnect with the culture of American railroad travel and the music it inspired. Winding along 2,728 miles of track over four days, the pair recorded classic railroad songs in waiting rooms and at trackside while the train paused to pick up passengers.
Nikolaus Harnoncourt The Complete Sony Recordings brings together for the first time Harnoncourt s complete recordings from 2002-2015 with his Concentus Musicus Wien, the Wiener Philharmonike, the Chamber Orchestra of Europe and the Symphonieorchester des Bayrischen Rundfunks. The Sony Classical edition features his famous symphony recordings of Mozart, Haydn, Beethoven and Bruckner, alongside his celebrated performances of great choral works such as the Verdi, Brahms and Mozart Requiems and Haydn's Die Schöpfung, as well as Mozart's opera Zaide, Haydn's Orlando paladino and Gershwin's Porgy and Bess. Also included are previously authorized but unreleased recordings of J. S. Bach s Cantatas Nos. 26 & 36, Beethoven's Christus am Ölberge and Dvorák's Stabat Mater.
The patronage of elite Highland pipers collapsed after the Jacobite rebellion of 1745. Worried that the classical music of the Gaels would fade away, the English-speaking gentry offered prize money for scientific notations. By 1797, Colin Campbell had written 377 pages in a unique notation based on the vocables of Hebridean ‘mouth music’, but – unintelligible to the judges in Edinburgh – Campbell’s extraordinary work of preservation has remained overlooked or misunderstood until now.
The Pop-Liisa and Jazz-Liisa broadcast session series presents previously unreleased and forgotten gems from the biggest names of Finnish prog and jazz of the 1970's. Never bootlegged and known up until now only to a few faithful servants (and largely thought to have been lost for ever), these sessions offer a hitherto unrivalled look into the state of Finnish jazz and progressive rock between the years 1972-1977. Imagine if the sessions recorded by John Peel had only recently been discovered, and you get an idea of the cultural weight of what is being brought into the light of day here.
Originally recorded as broadcasts by YLE (the national radio service Yleisradio, "the Finnish BBC"), the thirty-four Liisankatu sessions are a genuine who’s who of Finnish prog and jazz. Interestingly, anyone with even basic knowledge of the era’s biggest bands will recognize familiar names at play within these obscure bands…