Yann Botrel

Recorded with musicians together live in The Eskal studio to 24 track 2 inch tape, mixed to stereo ¼ inch tape then mastered from tape to vinyl, the album is a fully analogue approach for Tiersen. “Limiting our ability to digitally manipulate, overdub or make changes after deciding a creative path gave an energy and beautiful tension to the recording process which I’d found was being lost with the limitless possibilities of digital recording. Not translating sounds into 1 and 0 keeps music in the real world.” The result is a vital album that fizzes with the excitement and energy found at a live concert, but packed into a studio album. Featuring collaborations with John Grant, Gruff Rhys from Super Furry Animals, Stephen O’Malley from Sunn O))), and Blonde Redhead, the album was recorded with touring collaborators Emilie Tiersen, Ólavur Jákupsson and Jens L Thomsen at The Eskal, the new analogue studio complex Tiersen recently built on his home island of Ushant in Brittany.

Reprogrammed, resampled and reimagined, 11 5 18 2 5 18 is a collection of 9 tracks that serve as a translation of Tiersen’s live show, taking songs from his 2021 release Kerber plus additional tracks from his catalog, completely restructured to present a brand new album. With a mesmerizing mix of piano patterns, swirling electronics and dancefloor-ready grooves, these songs continue an exciting new chapter in his career.

Reprogrammed, resampled and reimagined, 11 5 18 2 5 18 is a collection of 9 tracks that serve as a translation of Tiersen’s live show, taking songs from his 2021 release Kerber plus additional tracks from his catalog, completely restructured to present a brand new album. With a mesmerizing mix of piano patterns, swirling electronics and dancefloor-ready grooves, these songs continue an exciting new chapter in his career.

Kerber, the new album from Yann Tiersen, is a beautifully textured, highly immersive and thoughtfully constructed electronic world to step inside of. Piercing piano keys merge with swirling soundscapes, as Tiersen explores the possibilities of infinite smallness. The album was created and recorded at The Eskal, the studio he built on Ushant (the island where he lives, located 30 kilometres off the west coast of Brittany in the Celtic Sea), and Kerber is named after a chapel in a small village on the island while each track sonically maps the landscape that surrounds Tiersen’s home.