Yasushi New Zealand Symphony Orchestra

The Jazz at Lincoln Center Orchestra (JLCO), comprising 15 of the finest jazz soloists and ensemble players today, has been the Jazz at Lincoln Center resident orchestra since 1988 and spends over a third of the year on tour across the world. Featured in all aspects of Jazz at Lincoln Center’s programming, this remarkably versatile orchestra performs and leads educational events in New York, across the U.S. and around the globe; in concert halls; dance venues; jazz clubs; public parks; and with symphony orchestras; ballet troupes; local students; and an ever-expanding roster of guest artists.

Sir Simon Rattle and the London Symphony Orchestra pay homage to Leonard Bernstein with a recording of Wonderful Town that captures the energy and excitement of sold-out performances from December 2017. Featuring an all-star cast led by Danielle de Niese and Alysha Umphress, this release coincides with worldwide #BernsteinAt100 celebrations marking the centenary of the Orchestra’s former President.

This stellar production features a pair of operatic superstars, namely GRAMMY®-nominated tenor Lawrence Brownlee and soprano supreme Sarah Coburn, who continually appear in the lead roles in top houses worldwide. The remaining characters are beautifully portrayed by distinguished singers from Lithuania and Kazakhstan. Providing brilliant and sensitive choral-orchestral support is the GRAMMY®-nominated Maestro Constantine Orbelian (“the singer’s dream collaborator”) leading the Kaunas City Symphony Orchestra and the Kaunas State Choir. In June 2021, Orbelian was named Music Director and Principal Conductor of New York City Opera. Bellini’s I Puritani is considered by many to offer the most beautiful music among some of his best-known operas, several of which are sublime masterpieces of the spectacular bel canto style of singing.

Neeme Järvi, with his children now as rivals, remains a busy star on the international conducting scene. Born in the Estonian capital of Tallinn, on June 7,1937, and brought up within the USSR's system for developing musical talent, Järvi studied percussion and conducting at the Tallinn Music School. He made his debut as a conductor at age 18. From 1955 to 1960 he pursued further studies at the Leningrad Conservatory, where his principal teachers were Nikolaï Rabinovich and Yevgeny Mravinsky.

Páll Ísólfsson was the first director of the Reykjavík Music School, which opened in 1930. Like other musicians, he was forced by the lack of opportunity in Iceland to study abroad but, unlike others, he was able to return and work as the Organist at Reykjavík Cathedral to support his activities as a composer. His music for the early Ibsen play The Feast at Solhaug, performed in 1943 in Norwegian on Norway’s National day, was his theatrical début. This was followed in 1945 by the more ambitious score for Úr Myndabók Jónasar Hallgrímssonar.

“Our countries have moved further apart. Most people are so immersed in their own life experience that they don’t even try to understand the culture of other societies … but by comparing these two works people can see the double picture – how Europeans feel about love, pleasure, and death, and how the Chinese feel about the same things.” Long Yu. Centuries-old Chinese poetry is brought vividly to life in a new recording from Long Yu and the Shanghai Symphony Orchestra. Their second album for Deutsche Grammophon, The Song of the Earth, is set for international release on 13 August 2021. The world premiere recording of the contemporary The Song of the Earth by Ye Xiaogang is presented alongside Gustav Mahler’s classic symphony. Ye’s ambitious new work expresses the grandeur and beauty of the original Tang Dynasty poems that Mahler set in German translation, fusing a contemporary style with centuries’ worth of traditions from both east and west. Long Yu, who commissioned Ye’s work, conducts the Shanghai Symphony Orchestra in this fascinating meeting of histories and cultures.

Georgios Axiotis was a leading and historically significant Greek composer who was opposed to the ‘Germanisation’ of music education in Greece. His training in Naples led him to conceive of national music of a mediterranean quality related to the naturalism of Italian verismo. The works on this album are his most important and lasting contributions to Greek orchestral music. Axiotis possessed an exceptional instinct for balance and timbre and was a splendid orchestrator. The lyricism in these pieces exudes Greek late Romanticism, while his nature depictions are strongly atmospheric.