Yes Union (1991) (reupload)

With the exception of Peter Banks and Trevor Horn, virtually all the major contributors to Yes in its various incarnations over the previous 23 years, including both of its drummers, threw their hands into the making of Union, which was supported by a massive tour that filled arenas with at least two generations of fans. So even if Union had been as good as one hoped, this was an album that couldn't possibly have met the expectations inherent in the array of talent involved…

With the exception of Peter Banks and Trevor Horn, virtually all the major contributors to Yes in its various incarnations over the previous 23 years, including both of its drummers, threw their hands into the making of Union, which was supported by a massive tour that filled arenas with at least two generations of fans. So even if Union had been as good as one hoped, this was an album that couldn't possibly have met the expectations inherent in the array of talent involved. The material is reasonably solid, and under ordinary circumstances this album would have been considered just fine, if not exceptional. "I Would Have Waited Forever" shows off the group's vocalizing (by Chris Squire and Jon Anderson) at its most melodic and Steve Howe has one of the most beautiful classical guitar showcases of his Yes career on "Masquerade"…

Union Live is a live release by progressive rock band Yes. It documents their “Union” tour of 1991, supporting the Union (1991) album…

Union Live is a live album and video by English progressive rock band Yes, released in January 2011 on Voiceprint Records…

Going for the One is perhaps the most overlooked item in the Yes catalog. It marked Rick Wakeman's return to the band after a three-year absence, and also a return to shorter song forms after the experimentalism of Close to the Edge, Tales from Topographic Oceans, and Relayer. In many ways, this disc could be seen as the follow-up to Fragile. Its five tracks still retain mystical, abstract lyrical images, and the music is grand and melodic, the vocal harmonies perfectly balanced by the stinging guitar work of Steve Howe, Wakeman's keyboards, and the solid rhythms of Alan White and Chris Squire. The title track features Howe on steel guitar (he's the only prog rocker who bothers with the instrument). "Turn of the Century" and the album's single, "Wonderous Stories," are lovely ballads the way only Yes can do them…

Recorded live on the final night of the 1989 Anderson/Bruford/Wakeman/Howe tour, this two-CD set offers both oldies and improvements upon their new material. You'll probably find yourself listening only to the second CD, as the first CD largely consists of shaky solo medleys. Howe fares the best with delicate renditions of "Mood for a Day" and "The Clap." Anderson's guitar and vocal turn comes off like a coffeehouse gig - not bad, especially when he samples "Teakbois," but not riveting. Wakeman's "Merlin" and "Catherine Parr" solo trades speed for precision, and the crowd is unaccountably thrilled when he wrenches unimpressive blow-bottle sounds out of a keyboard. Bruford blows his solo yet again, just as in Yessongs; infatuated with electronic percussion, he produces a grating assortment of clanks and conks…

Digitally remixed, remastered and expanded 40th Anniversary edition of the Prog band's 1974 album. The CD features a completely new stereo album mix by Steven Wilson plus the two promo singles edits taken from the album. Original artwork expanded, restored and approved by Roger Dean. Presented as a double digipak format in a slipcase with new sleeve notes by writer Sid Smith.
Yes had fallen out of critical favor with Tales from Topographic Oceans, a two-record set of four songs that reviewers found indulgent. But they had not fallen out of the Top Ten, and so they had little incentive to curb their musical ambitiousness…

Steve Howe's solo albums seem to hold a wide variety of music within. Generally, this disc presents the listener with acoustic guitar solos, progressive rock compositions, country-tinged songs, and more. Historically, the more complex music of Yes has consisted of smaller pieces brought in by the individual members and assembled almost piecemeal into complex song structures. An interesting aspect of Howe albums is the opportunity to hear works that could easily have been such segments and get a glimpse into where the band could have gone. This album is true to that format. Steve Howe performs nearly completely solo on this release, accompanied only on percussion by his son Dylan Howe. When looking over the liner notes on this one, be sure to check out the list of guitars used on the album. For guitar heads, that is always a welcome portion of any Howe solo album.

Yes are an English progressive rock band formed in London in 1968 by singer Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye, and drummer Bill Bruford. The band has undergone numerous formations throughout its history; nineteen musicians have been full-time members. Since June 2015, it has consisted of guitarist Steve Howe, drummer Alan White, keyboardist Geoff Downes, singer Jon Davison, and bassist Billy Sherwood, with no remaining founding members. Yes have explored several musical styles over the years, and are most notably regarded as progressive rock pioneers…