Fantastic 100 CD box containing a plethora of Modern Jazz recordings. In the 1950's, Jazz spread over the world. With the advent of the LP, Jazz improvisation was freed from the limitation of the old 78 three minute playing time. This gave room for deep and long artistic statements. The Jazz message conquered the scene and built new regional and stylistic centers.
Fantastic 100 CD box containing a plethora of Modern Jazz recordings. In the 1950's, Jazz spread over the world. With the advent of the LP, Jazz improvisation was freed from the limitation of the old 78 three minute playing time. This gave room for deep and long artistic statements. The Jazz message conquered the scene and built new regional and stylistic centers.
Avid Jazz continues with its Four Classic Album series with a re-mastered 2CD second set release from Ahmad Jamal, complete with original artwork, liner notes and personnel details.
“Chamber Music Of The New Jazz”; “Ahmad Jamal Trio”; “Count ‘Em 88” and “Listen To The Ahmad Jamal Quintet”.
Born in Pittsburgh in 1930 Ahmad Jamal started playing piano at 3 years old and turned professional at 14! His early influences include Earl Hines, Erroll Garner and Mary Lou Williams and he had the distinction of being spotted as a “coming great” by none other than Art Tatum. He discovered Islam in his 20s and in 1950 Fred Jones became Ahmad Jamal as he took the Muslim faith…
This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.
Although undoubtedly an expensive acquisition, this ten-CD set is perfectly done and contains dozens of gems. The remarkable but short-lived trumpeter Clifford Brown has the second half of his career fully documented (other than his final performance) and he is showcased in a wide variety of settings. The bulk of the numbers are of Brownie's quintet with co-leader and drummer Max Roach, either Harold Land or Sonny Rollins on tenor, pianist Richie Powell, and bassist George Morrow (including some previously unheard alternate takes), but there is also much more.