Yim Hok Man

January 13, 2020: Solo Violin Recital at Orvis Auditorium, Honolulu, HI. Repertoire: Works for solo violin by YIP, F. LAM, A. LAM, LO, CHEN, BACH, ITOH, and FOUMAI. (Organised by Music at Mānoa​; Sponsored by Ebb and Flow Arts).

“Since the release of the first album "If Deejay Was Your Trade" in 1994 UK-based Blood & Fire Records have established themselves a name as one of the best re-issue labels around. This record company rightfully deserves its fame as it pleases reggae fans all over the world with releases of mainly hard-to-get gems from the past presented with the best sound quality possible, excellent artwork and great sleeve notes. Blood & Fire's 23rd release "129 Beat Street ~ Ja-Man Special 1975-1978", which featured a selection of Dudley 'Manzie' Swaby's classic roots vocal productions of the time, gets its follow up with their 41st release called "In The Dub Zone”.

The cd comprises two -very hard to find in their original form- dub albums ("Ja-Man Dub" and "Kings Dub") produced by Dudley 'Manzie' Swaby in 1977 and 1980. Both are presented here in their entirety, along with 4 b-side mixes taken from 45 rpm discs originally issued by the producer on his Ja-man and Manzie imprints in the same period. During this period, the focus of Jamaican music changed; from a roots and culture orientation - outward looking, socially aware - to a more hedonistic, materialist approach. This latter direction, generally referred to as 'dancehall' was more inward-looking, dealing largely in themes that reflected the day-to-day concerns of dancehall patrons. This period of early 'dancehall' music was dominated by deejays; one of the most successful, before his murder in 1981, was General Echo; many of the rhythms for his first LP "Rocking & Swing" can be heard in dub mixes on "Kings Dub" -tracks 14-23 on this cd.

The 23 tracks offered here represent a high quality crossection of the Channel One sound of that period. Note that the second album "King's Dub" is a typical early eighties dub set, featuring the sound of syn drums, which was so popular in that period. The clear and crisp sound of Channel One was the main reason for Dudley 'Manzie' Swaby to record his works there. Next to original 'Manzie' riddims, the album features some dazzling versions of Jamaican classics. Here you will find two boom tunes across the 'Pretty Looks' riddim -Dub Zone and Dangerman Version, and Herb Cutter which explores the 'Love I Can Feel Riddim'. Rasta Feeling is the dub to Bim Sherman's awesome Mighty Ruler, itself being a cut to Leroy Sibbles' 'Tripe Girl' riddim. Horace Andy's Fever riddim is used for track 10, Bush Weed while Higher Ranking Dub features yet another Heptones' riddim, this time its the 'Love Me Always' riddim. The album closes with Downtown Rubadub, which is the dub to U Brown's tune So Long, the riddim being 'ooh Wee Baby'.

Musicians include the following 'best of the best' : drums Sly Dunbar, Leroy 'Horsemouth' Wallace, Mikey 'Boo' Richards and on tracks 1 and 2 Eric 'Fish' Clarke, bass Ranchie McClean, Robbie Shakespeare and on tracks 1 and 2 Errol 'Flabba' Holt, guitar Dougie Bryan, Eric 'Bingy Bunny' Lamont, keyboards Ansell Collins, Gladstone Anderson, Theophilius Beckford, horns section consists of Bobby Ellis, Herman Marquis, Headley Bennett, Tommy McCook, Don Drummond Jr., Calvin Cameron and percussionists on board are Noel 'Skully' Simms and Uziah 'Sticky' Thompson.
The tracks were originally mixed by Crucial Bunny, Maxie, Soljie Hamilton , Ernest Hookim, Ranking Barnabas and Dudley Swaby at Channel One, except for tracks 1 & 2 which were done by King Tubby at King Tubby's studio.
Superb set, which highlights one of Jamaica's little known yet highly creative labels run by Dudley 'Manzie' Swaby."

Fraternity Of Man is the band that forms the link between Frank Zappa & The Mothers, Lowell George & The Factory, Little Feat, and Captain Beefheart & His Magic Band. In his short period of existence between these ancestors, relatives and descendants, the band managed to record two albums, "Fraternity Of Man" in 1968, and "Get It On" in 1969, before fragmenting…~From the liner notes.

Time for a Chinese hug by way of Marseilles as Chinese Man unleashes his 2017 album to a whole troupe of French talent (and beyond) for an almighty 17 track remix opus spanning every style from wave to D&B. Highlights ping across the spectrum; Chapelier Fou brings a dreamy IDM subtlety to "Wolf", Matteo lays down a Bonobo style cinematic stampede on "Modern Slave", Sly adds a little cosmic ballad touch to "Stone Cold", Poirer whips up a mystic storm on "Malad"… And that's just the start of the hug. Dig deep.

On Oni Pond, the 2013 album from Philadelphia legends Man Man, features an arresting reconstruction of the band s visionary sound stripped to its core and rebuilt as something new and compelling yet still very much Man Man. An intensive collaboration between the band's frontman, Honus Honus, and drummer Pow Pow, who has assumed a new-found prominence in the songwriting process, On Oni Pond brings an exhilarating array of new rhythmic ideas to the mix.