Yo Dona From 10 Diciembre 2016

Steve Hillage has always had one eye on the future, experimenting with genres such as ambient and dance before many of his peers, and creating extra-terrestrial guitar sounds throughout his career with Uriel, Khan, Gong and System 7…

British heavy metal legends Saxon unleash Let Me Feel Your Power, their 10th live album. The 16 track album was recorded in Munich during November 2015 and Brighton in January 2016, with bonus materials from Chicago in September 2015…

Various Artists - Twelve Inch Eighties: Digging Your Scene (2016) {3CD Demon Music-Crimson TWIN80006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.26 Gb | MP3 @320 -> 429 Mb
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© 2016 Demon Music / Crimson Productions | TWIN80006
Synth Pop / Hi NRG / Euro-Disco / Electronic / Soul / Funk / New Wave / Pop Rock

Twelve Inch Eighties is the successful 3CD range by Crimson Productions, compiling extended alternate mixes of some of the biggest hit singles of the 80s. Each themed release is housed in a sleek 3CD digipak with abstract imagery representative of early dance label releases. These carefully selected titles across the range bring together the finest eighties pop, dance and disco, amongst other genres, in all their full 12” single glory. Digging Your Scene is a collection of classic 12” remixes straight from the edge of the 80s.

Bamako-based producer/educator Paul Chandler has been documenting the sonic and cultural complexities of Malian traditional music for more than a decade and “Every Song Has Its End” is an out-of-time, visceral collection of sounds from Chandler’s unparalleled archive.

Released to coincide with what would have been Freddie Mercury's 70th birthday, the excellent 2016 double-disc anthology Messenger of the Gods: The Singles brings together all of the legendary Queen vocalist's solo A-side and B-side singles. Originating from a variety of projects, including Mercury's one and only proper solo album, 1985's Mr. Bad, these are all the songs released under Mercury's name and not as Queen singles. Nonetheless, there was some cross-pollination and several of these songs were later reworked as Queen tracks. While Queen were primarily known for their muscular, guitar-oriented rock, they were also innovators who experimented with funk and dance grooves. Mercury himself was always an eclectic artist whose tastes ranged from early rock & roll to disco to classical music.

Recordings of Felix Mendelssohn's Violin Concerto in E minor, Op. 64, are abundant, and even the pairing with the rarer Robert Schumann Violin Concerto, WoO 23, of 1853 are not as infrequent as they used to be. The thorny Schumann concerto has undergone a reevaluation upward, and plenty of players now concur with the judgment of Yehudi Menuhin: "This concerto is the historically missing link of the violin literature; it is the bridge between the Beethoven and the Brahms concertos, though leaning more towards Brahms." Violinist Carolin Widmann who (like the ECM label on which the album appears) has focused mostly on contemporary music, takes up the challenge of providing something new here, and she meets it. The central fact of the recording is that Widmann conducts the Chamber Orchestra of Europe from the violin. Others have done this before, but few have pursued the implications of the technique as far as Widmann has: the performances are unusually light and transparent, and they are perhaps thus in accord with the sounds an orchestra of the middle 19th century might have produced. Sample the unusually lively, sprightly reading of the Mendelssohn concerto's finale.