Yoel Inakai Ein Simpler Eingriff

Like other European composers of his generation, Miklós Rósza, born in Hungary in 1907, found political and creative sanctuary in Hollywood, where he wrote concert music and many notable film scores. These three works clearly show that he never lost his roots in his native folk music. The violin concerto, a lush, romantic piece, was written at the urging of Jascha Heifetz and is tailored to his and his instrument's strengths, with singing, soaring melodies, brilliant passage work, and a very effective cadenza. Later, Heifetz and cellist Gregor Piatigorsky asked Rósza to write a piece for them; the "Theme and Variations" is the slow movement of a longer work. It is beautifully written for both instruments; based on a Hungarian melody, the variations are wonderfully inventive and varied in mood, character, and expression. The Cello Concerto too is extremely difficult and virtuosic, often quite wild and aggressive, and full of contrasts. The orchestration is excellent throughout, but not too heavy.

Aaron Copland (1900-1990) - Third Symphony & Music For The Theatre
Yoel Levi / Atlanta Symphony Orchestra
EAC+LOG+CUE | FLAC: 253 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Telarc # CD-80201 | Country/Year: US 1989
Genre: Classical | Style: Contemporary

This is the premiere recording release of The Atlanta Symphony under the baton of their new Music Director, Yoel Levi, who was formerly Assistant Conductor of The Cleveland Orchestra.

Aaron Copland (1900-1990) - Third Symphony & Music For The Theatre
Yoel Levi / Atlanta Symphony Orchestra
EAC+LOG+CUE | FLAC: 253 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Telarc # CD-80201 | Country/Year: US 1989
Genre: Classical | Style: Contemporary

This is the premiere recording release of The Atlanta Symphony under the baton of their new Music Director, Yoel Levi, who was formerly Assistant Conductor of The Cleveland Orchestra.

When I first put this disc in the player, I wondered if I would really enjoy it. I had just listened to a performance of the Tchaikovsky played by Sviatoslav Richter accompanied by the Leningrad Philharmonic under Evgeny Mravinsky. Obviously, the first characteristic was a vast improvement in the recording quality over the mono Russian recording (Leningrad, 1957). As the new disc got underway I was very pleasantly surprised, as André Watts, although not Richter, gave a very proficient and exciting reading.