Young Magazine N.25 5 June 2017

Young Magazine N.25 - 5 June 2017  Magazines

Posted by Mitsu at May 22, 2017
Young Magazine N.25 -  5 June  2017

Young Magazine N.25 - 5 June 2017
Japanese | 445 pages | PDF | 157.59 MB

Young Magazine (Yangu Magajin) is a Japanese manga magazine published weekly by Kodansha. The magazine was started in 1980 and is targeted at adult males (seinen).

V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)  Music

Posted by Discograf_man at Jan. 24, 2020
V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)

V.A.- Time Life - Sounds of the Eighties Collection (25CDs, 1994-1996)
EAC Rip | FLAC (*tracks+.cue+.log, covers) | Run Time: 30:10:23 | 12,14 Gb | Covers 36,26 Mb
Genre: Pop Rock, Soul, Disco, Soft Rock, Rhythm & Blues | Label: Time-Life Music

Time Life was founded in 1961 as the book division of Time Inc.. It took its name from Time Inc.'s cornerstone magazines, Time and Life, but remained independent of both. During 1966, Time Life combined its book offerings with music collections (two to five records) and packaged them as a sturdy box set. Throughout the 1970s and 1980s, the selection of books, music and videos grew and was diversified into more genres. When record labels stopped producing vinyl albums in 1990, Time Life switched to CD only. In the mid-1990s, Time Life acquired Heartland Music, with the Heartland Music label now appearing as a brand. This company was subsequently sold off and is no longer attached to Time Life.
Maurizio Pollini - Robert Schumann: Davidsbundlertanze; Concert Sans Orchestre (2001)

Maurizio Pollini - Robert Schumann: Davidsbündlertänze; Concert Sans Orchestre (2001)
EAC | FLAC | Tracks (Cue&Log) ~ 172 Mb | Mp3 (CBR320) ~ 124 Mb | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 471 369-2 | Time: 00:51:02

While Pollini's Schumann is not to everyone's taste – some find his virtuoso playing too cool and his bracing interpretations too intellectual – for those who revere Pollini, his Schumann is a tonic after nearly two centuries of sloppy and sentimental performance practice. Pollini's Davidsbündlertänze may not be as poetic as Arrau's and his Kreisleriana may not be as fantastic as Argerich's, but he finds meanings and significances in the works that no one ever has before. Pollini's Concert sans orchestre and Allegro in B minor are second to none in technical panache and interpretive aplomb. DG's piano sound is as real as playing the piano.