The three-time GRAMMY® Award-winning violinist Hilary Hahn presents her new recording of Eugène Ysaÿe’s Six Sonatas for Violin Solo, op. 27. Inspired by the example set by J.S. Bach two centuries earlier, legendary Belgian violinist and composer Eugène Ysaÿe wrote the first work in what turned out to be a six-sonata cycle in June 1923. One hundred years later, Hilary Hahn “one of the essential violinists of our time” (The New York Times), has recorded the set on her own wave of inspiration – driven by the impetus of the upcoming centenary to realize one of her dream projects.
This is the latest album by Keisuke Yasujima, a pianist who has been attracting attention from many music fans for his unique musical activities while practicing as a lawyer. This is the world premiere recording of a piano arrangement of Ysaye's masterpiece "Sonata for Solo Violin," one of the pinnacle of violin art. Pianist Keisuke Nijima and arranger Kohei Owaki spent a long time to unravel the work, and they are convinced that "if Ysaye could have played the piano, he would certainly have written this way.
Violinist Vaughan Jones brings us a fascinating collection of 18th century solo works. Three hundred years after their first publication, Austrian composer Johann Joseph Vilsmaÿr's Six Partitas for Solo Violin are recorded here in their entirety for the first time. Johann Georg Pisendel was a famous Baroque violinist and composer. His fiendishly difficult Violin Sonata is an unpredictable, tempestuous and capricious work, showing great scope and ambition. To round out the recording, Jones plays the famous Passacaglia by Biber - a somber, moving work and a perfect end to this noteworthy set.
J.S. Bach's sonatas for solo violin, part of a long tradition of virtuoso works for the instrument, seem unsuited to transcription. But a guitar comes closer than perhaps any other instrument: it embodies a tension – not the same tension as with a solo violin but a tension nonetheless – between melodic material and polyphony. In the hands of Finnish guitarist Timo Korhonen they produce an unusual effect.
Violinist Vaughan Jones brings us a fascinating collection of 18th century solo works. Three hundred years after their first publication, Austrian composer Johann Joseph Vilsmaÿr's Six Partitas for Solo Violin are recorded here in their entirety for the first time. Johann Georg Pisendel was a famous Baroque violinist and composer. His fiendishly difficult Violin Sonata is an unpredictable, tempestuous and capricious work, showing great scope and ambition. To round out the recording, Jones plays the famous Passacaglia by Biber - a somber, moving work and a perfect end to this noteworthy set.
This recording is the logical – and awaited – complement to the ‘Fugue for Solo Violin’ set released in the spring of 2013, on the occasion of the publication of Tedi Papavrami’s autobiography by Robert Laffont. It features the Sonatas for solo violin by Eugène Ysaÿe, an extraordinary violinist who, in his time, played a role comparable to that of Niccolò Paganini, just a century earlier. Ysaÿe dedicated each of these six sonatas to one of the very great violinists of his time (Szigeti, Thibaud, Enesco, Kreisler…). They constitute heights of virtuosity that few musicians can envisage confronting and are, at the same time, musical works of the first rank.