Yumi Zouma’s Josh Burgess likens the band’s songwriting process to gardening, “Someone brings in a seed and through collaboration, it grows into a song that is vastly different from its original form.” Like any garden, this one requires dedicated tending, a practice that seems rather inconvenient if not straight-up difficult, considering the fact that the four members live in disparate parts of the world – calling New York, London, and New Zealand home – but long-distance has always been a feature of their songwriting process, not a bug. Their new album, Present Tense, is the product of those efforts, a work Christie Simpson describes as “a gallery wall displaying these different moments in each of our lives. A process of curation, revisiting the past and making it relevant to the present.”
French pianist Monique Haas recorded the piano works of Debussy and Ravel twice, once in the late '50s and early '60s for Deutsche Grammophon and again in the late '60s and early '70s for Erato. The later recordings are released here in this six disc set from Warner Classics. As on the earlier set, Haas' performances are elegantly stylish, technically impeccable, consummately musical, and quintessentially French. Pick any piece by either composer at random, and you'll see. Try her bright but sensual Suite Bergamasque with its ravishing Clair de lune or her brilliant and visionary Études with their astounding concluding Pour les accords. Or try her recklessly virtuosic Gaspard de la nuit with its frightening Scarbo or her sweetly swaying Valses nobles et sentimentales with its heartrending Épilogue. There are only two meaningful differences between Haas' recordings: in the earlier performance, she is more passionate and impetuous while in the later performances she is more measured and thoughtful.