Zürcher Sonntagszeitung 2024

Daniel Hope's new album "Dance!" reflects his boundless interest in the most diverse styles and periods of music. The star violinist takes the listeners on a journey through seven centuries of music history and explores the rhythms that have set bodies in motion and lifted hearts since time began.

Daniel Hope has long been fascinated by the power of dance to move and inspire. Taking listeners on a journey through seven centuries of music history, his latest Deutsche Grammophon album – DANCE! – celebrates the rhythms that have set bodies in motion and lifted hearts since time began. A magical, passionate, pulsating tour through history, Daniel Hope’s Dance! runs the gamut of western classical music from medieval times to the late 20th century. Dance touches everybody’s lives, and has always been deeply intertwined with music – as you can hear in Hope’s thoughtfully curated collection which spans seven centuries, including everything from a 14th-century lament to Wojciech Kilar’s 1986 work Orawa, via classics by Handel, Saint-Saëns, Florence Price, Duke Ellington, and many others.

The musical world of the eighteenth-century court at Dresden is characterised by its diversity: Vivaldi, Hasse, Ristori and Wilhelm Friedemann Bach were all highly esteemed. The Zürcher Barockorchester perform selections from this demanding repertoire and successfully transport listeners to Dresden’s vibrant Augustan era.

Pleyel once was the human symbol of everything balanced and moderate in symphonic music. Even on Cape Cod (Nantucket, to be exact), a Pleyel Society was founded "to purify the taste of the public." Today, his name is recognized for the Parisian concert hall to which it is attached (the Salle Pleyel), and for the pianos that he (and later, his son) had manufactured under the family name, beginning in 1807. Another nugget worth retaining is Pleyel's invention of the miniature score – an innovation associated with the publishing house he founded in the mid-1790s. How did Pleyel have the time for all of this "extracurricular" activity? He did it in the style of Rossini or Sibelius, by giving up composing for about the last thirty years of his life.

Pleyel once was the human symbol of everything balanced and moderate in symphonic music. Even on Cape Cod (Nantucket, to be exact), a Pleyel Society was founded "to purify the taste of the public." Today, his name is recognized for the Parisian concert hall to which it is attached (the Salle Pleyel), and for the pianos that he (and later, his son) had manufactured under the family name, beginning in 1807. Another nugget worth retaining is Pleyel's invention of the miniature score – an innovation associated with the publishing house he founded in the mid-1790s. How did Pleyel have the time for all of this "extracurricular" activity? He did it in the style of Rossini or Sibelius, by giving up composing for about the last thirty years of his life.