From the beginning, Frank Zappa cultivated a role as voice of the freaks - imaginative outsiders who didn't fit comfortably into any group. We're Only in It for the Money is the ultimate expression of that sensibility, a satirical masterpiece that simultaneously skewered the hippies and the straights as prisoners of the same narrow-minded, superficial phoniness. Zappa's barbs were vicious and perceptive, and not just humorously so: his seemingly paranoid vision of authoritarian violence against the counterculture was borne out two years later by the Kent State killings. Like Freak Out, We're Only in It for the Money essentially devotes its first half to satire, and its second half to presenting alternatives…
Frank Zappa’s fall 1975 touring schedule brought him to two cities in Yugoslavia, marking the first and only time he played shows in that country. This 2 CD set combines performances from both shows, recorded live in Zagreb on November 21st and Ljubljana on November 22nd, 1975. This release showcases a rare band line-up of The Mothers, featuring Norma Bell on saxes and vocals. FZ would discontinue using The Mothers name for good after the European and Australian leg in early 1976. Re-mixed from the original 1/2” 8-track tape masters by Craig Parker Adams and mastered by John Polito, this historical set is the only multi-tracked document of this group in the Vault.
In 1972, Frank Zappa experimented with an "electric orchestra" concept which resulted in 2 albums: Waka/Jawaka and The Grand Wazoo. Celebrating the 50th-anniversary of this endeavor, Waka/Wazoo documents the recording sessions with outtakes and oddities on 4 CDs. Also included is a December 1972 live show from Winterland Ballroom in San Francisco and unreleased George Duke demos.