Zeitkratzer

zeitkratzer & Mariam Wallentin - The Shape of Jazz to Come (2020)

zeitkratzer & Mariam Wallentin - The Shape of Jazz to Come (2020)
WEB FLAC (tracks) ~ 245.80 Mb | 40:57 | Cover
Vocal Jazz, Avant-Garde Jazz, Big Band | Label: zeitkratzer Records (Germany) - zkr0025

zeitkratzer is as always good for a surprise and finally goes Jazz! Looking at the line-up of the “modern composition supergroup” (The Wire) it seems astonishing that it took so long. Saxophonists Frank Gratkowski and Hayden Chisholm both won independently the German Radio SWR Jazz award; the French horn virtuoso Hild Sofie Tafjord grew up with Jazz, as her father and uncle are members of the famous Norwegian jazz group Brazz Brothers; Hilary Jeffery toured with numerous jazz musicians, as did the drummer Maurice de Martin who spent his early years in the New York downtown scene; Reinhold Friedl studied piano with Alexander von Schlippenbach, and Ulrich Phillipp is a known improviser who toured with Charles Gayle… and zeitkratzer is joined by a second bass player: Martin Heinze, member of the Berlin Philharmonic Orchestra.

Zeitkratzer & Terre Thaemlitz - Deproduction (Live) (2019)  Music

Posted by delpotro at Sept. 24, 2019
Zeitkratzer & Terre Thaemlitz - Deproduction (Live) (2019)

Zeitkratzer & Terre Thaemlitz - Deproduction (Live) (2019)
EAC Rip | FLAC (tracks+log+.cue) - 331 Mb | MP3 CBR 320 kbps - 205 Mb | 01:29:37
Electronic, Experimental, Avant-Garde Classical | Label: Comatonse Recordings, zeitkratzer Records

Terre Thaemlitz developed the present pieces for and with zeitkratzer. The starting points were Thaemlitz’ releases „means from an end“ and „couture cosmetique“, which present him as an electro acoustic composer with an amazing sensibility for sound and harsh cutting techniques. This is especially evident in „sloppy 42nds“, and moreover, Thamlitz’ filtering techniques are transformed into a complex, nearly surrealistic instrumental sound in „Superbonus“. Thaemlitz’ provenance as a New York underground DJ is recalled, as well as his political engagement in „Down Home Kami-Sakunobe“ and „Hobo Train“. On this CD you will find the most Pop oriented music - including references to dance and house - zeitkratzer has ever released! But don’t forget to listen to the main track, hidden as “superbonus”…

VA - Polish Radio Experimental Studio Revisited 1998-2018 (2018)  Music

Posted by delpotro at June 18, 2018
VA -  Polish Radio Experimental Studio Revisited 1998-2018 (2018)

VA - Polish Radio Experimental Studio Revisited 1998-2018 (2018)
EAC Rip | FLAC (tracks+log+.cue) - 339 Mb | MP3 CBR 320 kbps - 168 Mb | 01:13:29
Experimental, Electronic, Modern Classical, Electroacoustic | Label: Polskie Radio, Wire Magazine

An exclusive anthology of tracks inspired by the legendary Polish Radio Experimental Studio.

Iannis Xenakis - Electroacoustic Works (2022)  Music

Posted by delpotro at May 16, 2022
Iannis Xenakis - Electroacoustic Works (2022)

Iannis Xenakis - Electroacoustic Works (2022)
XLD Rip | FLAC (tracks+log+.cue) | Digital booklet | 04:10:56 | 1,5 Gb
Avant-Garde Electronic, Electroacoustic | Label: Karlrecords

„Electroacoustic Works“ celebrates the 100th anniversary of Iannis Xanakis (on May 29th, 2022), one of the most influential 20th century avantgarde composers. For the first time, the complete electroacoustic works of Xenakis are now available on record! All tracks have been newly mixed by longtime zeitkratzer sound engineer Martin Wurmnest and mastered by Rashad Becker and finally reveal their full sonic range and dynamics. Booklet with English / German liner notes by R. Friedl (zeitkratzer) and rare photos from the Xenakis archive.
Lou Reed's Metal Machine Trio - The Creation of the Universe (2008) [2CD] {Sister Ray}

Lou Reed's Metal Machine Trio - The Creation of the Universe (2008) [2CD] {Sister Ray}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 539 Mb | MP3 @320 -> 264 Mb
Full Artwork @ 300 dpi (png) -> 14 Mb | 5% repair rar
© 2008 Sister Ray Recordings | SR 001CD
Rock / Experimental Rock / Avantgarde / Noise

Lou Reed has a new album out although you might not know about it yet. Metal Machine Trio: The Creation of the Universe is an instrumental double album recorded over two nights at Los Angeles' Redcat. These two special live concert recordings of non-vocal music featuring Lou on guitar and electronics, Ulrich Krieger on tenor sax and live-electronics, and Sarth Calhoun on live processing and Fingerboard Continuum.

Muhal Richard Abrams - Celestial Birds (2020)  Music

Posted by Pisulik at Feb. 20, 2020
Muhal Richard Abrams - Celestial Birds (2020)

Muhal Richard Abrams - Celestial Birds (2020)
WEB FLAC (Tracks) - 246 MB | Cover | MP3 CBR 320 kbps - 96 MB | 00:41:52
Jazz, Avant-Garde Jazz | Label: Karlrecords

The compilation "Celestial Birds" reveals and focuses on the widely unkown electronic compositions of the AACM founder and jazz pianist MUHAL RICHARD ABRAMS. #5 in the Perihel Series, curated by zeitkratzer director REINHOLD FRIEDL. "Celestial Birds" casts a new light on the underrated experimenter MUHAL RICHARD ABRAMS, his innovative approach to composition and pieces that lay dormant for way too long!

Iannis Xenakis - Electroacoustic Works (2022)  Music

Posted by Rtax at Dec. 18, 2021
Iannis Xenakis - Electroacoustic Works (2022)

Iannis Xenakis - Electroacoustic Works (2022)
FLAC (tracks, booklet) - 1.8 GB | MP3 CBR 320 kbps - 638 MB
4:28:22 | Electronic, Classical, Electroacoustic, Contemporary | Label: Karlrecords

ANNIS XENAKIS (1922-2001) is one of the most important composers of the 20th century avantgarde whose influence on music can be traced to the present day – not only in the world of conservatory-trained composers but also in various streams of current non-academic underground aesthetics such as experimental electronic music, noise and industrial.
After he arrived in Paris in 1947, XENAKIS not only studied composition with MESSIAEN and later became a member of the famous GRM (Groupe de recherches musicales), he also worked as assistant to the famous architect LE CORBUSIER and realized a.o. the Philips Pavilion for the World Exhibition in Brussels 1958. His compositions often are based on mathematical principles which give his music an unprecedented aesthetic and “shocking otherness” (The Guardian).